ThaFormula.com
- What' your opinion on all that bounce and Ice rap. I mean do you
consider someone like Nelly Hip Hop?
Freddie
Foxxx - I mean of course it is, it's just another branch on the
tree. If all of us were the same their wouldn't be no reason for
rappaz, I mean what happens is you have to have diversity and if
everybody rapped the same it would be terrible. So you know I ain't
really mad at somebody like Nelly cause they bring another side of the
game. Now the bad part about it is when radio starts to cater to
a certain part of hip hop cause nobody can stop a tree from growing
branches. Just 10 or 15 years ago, people were saying hip hop was only
gonna last another year or so. So it's ok to have a Nelly, you
know what I'm sayin. What it does is, it challenges an
individual to be a better mc and try to keep a new kinda hip hop
commin along. Cause if everybody was still rappin like Grandmaster
Flash, this game would never advance. I mean they had their
time, which was good. I'm gonna have my time, which is
good. It's just up to each individual mc to carry it out.
When Nelly plays out, then we'll see how good he is when people stop
listening to him on the radio.
ThaFormula.com
- Everybody is recording bounce tracks now. Do you think that it's
good to follow that trend?
Freddie
Foxxx - If I rocked to a bounce track it would sound so gangsta,
but I choose to rock whatever makes me write. So when people
write to bounce music or whatever, it ain't whether it's right or
wrong. It's whether the song is good or not and I don't get
caught up in sayin "Oh you shouldn't make that kind of rap"
cause that's like white people sayin "Black people shouldn't be
drivin Mercedes Benz" or white people sayin "Black people
shouldn't have big houses" we should all stay in a barnyard,
while they live in a big white house and a picket fence. This
world is a open world man, people can do what they wanna do. My
whole thing is their has to be good music and nobody can say that
that's the wrong answer or I shouldn't feel that way cause we all have
a right to feel the way we wanna feel. So at the end of the day
if somebody makes a song that's not the way I think I would have made
the song, that's what makes me who I am as an individual. Marvin
Gaye didn't sound like Ray Charles and Ray didn't sound like the
Temptations. Everybody has their own different sound and that's
the problem with Mc's now. Everybody is thinkin that their's a
certain ciriculum that mc's have to follow. The bottom line is
it has to be good music and that's what makes this game what it is,
and like I keep sayin, the bad part is when you get people with power
who cater to one kind of sound and try to filter out the different
sounds that hip hop has. That's what makes the game bad.
ThaFormula.com -
How about when a kid group like LFO does a callabo with M.O.P. I
mean that's like Backsreet Boys doin a song with Freddie Foxxx. What
do you think of that?
Freddie
Foxxx - Well what did M.O.P. bring to the song. Is the song
hot or is it a wack record or what. See people have to realize
on thing man. See M.O.P. are artists man, Freddie Foxxx is a
artist. If Backstreet Boys say Yo! I wanna rock with M.O.P., they
commin to him for somethin and seeing that their mainstream, bubblegum
or whatever you wanna call them. You know that cutesy shit! If
M.O.P. can bring something to the table that makes it a good record
then I ain't mad at the record. I mean the collaboration shit is
not even the artists, it's the industry man and to many people are
focusing on the artist. The industry is the problem and that's
why I did Industry Shakedown. It's the industry. If you
throw a broke mutha fucka a bone and say look holmes Ima give
you this 20 dollars. I want you to take these 20 dollars and see if
you can flip it. Now you give em a choice "look either you
flip it or you take it to buy something to eat" What do you think
he gonna do with it. He don't wanna put the energy in flippin
it. He wanna buy somethin to eat, so basically you feedin hungry
people. People that ain't never had no money. You givin
them somethin that they ain't never had before. So the industry is pitching
out these big giant deals for these guys and they doin these records
because the money is there and I don't agree with it, but I think to
each his own. I'm wanna of them dudes that I don't really like to uh
if I pass judgement on somebody it's because I feel uh like for
instance like when I said something about Steve Stout or Lyor Cohen. I
know what I said about their's people in this game who uh female women
in this game that are lesbian and they cater to young women cause they
lookin at their own personal desires. But M.O.P. makin a record
with L.F.O. uh I don't know, I can't explain that cause I don't know
what that's about. I can't say that it's right or wrong cause I
really don't like to pass judgement.
ThaFormula.com
- If Backstreet Boys approached you and said we want you to do a
song with us and Britney Spears. Would you do it if they offered you
alot of money?
Freddie
Foxxx - The money wouldn't make me do it. I would have to feel it
in my soul. See I ain't a heart rappa, Im a soul rappa.
See the soul is deeper then the heart. If the music is hot and
the song is bangin, I'm a real musician man. I'm not like some
cornball dude who just started rappin yesterday. Im nnot some corny
ass dude who's trying to take over hip hop. I been in this game
since 85. Right out of high school, I made my first
record. So im not some cornball little kid who get's caught up
in star gazin or makin a record with Britney Spears, Fuck Britney
Spears!!! If that bitch brings me record, a beat that's hot and
she's singin my kinda shit on it, you muthafuckin right I would and I
bet you you'll like that shit! Cause I'm Bumpy Knuckles all the
fucken time. Im never gonna change who I am and rhyme like
somebody else or soften my shit up for radio. If I wanna say
fuck ho's, white ones, black ones, blue ones and green ones on her
shit, Imma say it. If the bitch put it out, she put it
out. If she don't then Fuck her! But Ima be an artist at
all times. It ain't about whether I would rock with them because their
a certain genre of music. Cause ain't nuthin fly about being
broke and ain't nuthin fly about being an artist who caters to other
peoples ideas. I follow my own ideas and my own law.
Underground is so small. You know it's so sad when I go overseas
or I go certain places and I see that their's a small following in
underground music and it's like I be watchin guys freestyles off the
top of their head talkin all that fucken rhetoric and actin like that
shit is hot. Muthafucka to proud to sit down and put his
thoughts down on paper, but he thinks he's freestylin off the top of
his head rhymin about shit that means absolutely fucken nothin.
But he talkin about he's a dope mc. Muthafuckas come up to me
with that shit, man get the fuck out my face with that shit man!! If
your a real mc man, sit your muthafucken ass down and let's make
underground music come to the forefront. People keep keepin this
music to far in the back and they put these titles on the shit.
Underground, Mainstream, this and that. This is fucken music yo!
ThaFormula.com
- When you say people, who exactly do you mean?
Freddie
Foxxx - Everybody is guilty of it. Were guilty of it and the
industry is guilty of it. You know what were guilty of as
underground artists and underground fans. We always guilty of
holdin our own selves back and we blame it on the industry.
That's like Black people sayin the White man did this and that to me
in 2001. That's bullshit man! I'm not feelin that shit
man! I'm responsible for my own moves man. If I walk up to a
muthafucka and he disrespects me and I break his jaw, I pay the fucken
price for it. If he calls the cops, I pay the price. Now
my freedom is based on whether he's a real muthafucka or not. So
im sayin that if I make a record with a certain artist and muthafuckaz
say "Oh well I don't like Foxxx cause he made a record with
whoever" even if I rhyme hard like I normally do, just
because I made a record with somebody that's not in my circle.
Even though we just reached back and grabbed somebody and pulled them
into what we do yo! But people ain't gonna call Bumpy Knuckles for a
record like that. You know why. Because I'm uncut
man. Ain't nobody gonna put no muthafuckin sugar in my tank
man. I'm not with that shit. I don't get sweet on
nothin. All I do is what I do. If it's hot, I feel it, I'm
rockin to it. If it's wack, I'm not fuckin with it. I'm not one
dimensional yo, I've never been one dimensional. But people
paint pictures of people that they didn't pose for. So the fans
build this little shit in their head that a person is a certain
way. I'm not sayin that a would or I wouldn't rock with a
certain artist. It depends on what they bring to the
table. Duke I been around the best. I been around legends
like Benny King, Jerry Butler and all the old schoolers. I been
in the presence before yo! Those guys set the trend for us to do
what were doing. What kind of trend do we set when were tellin
people don't rock with them. That's bullshit yo! cause what your
doin is, your dividing a music that was made for everybody.
That's like sayin hip hop ain't for white kids. That's bullshit
you can't say that because the majority of people that buy it are
white kids.
ThaFormula.com
- Do you think it's good that the majority of people buying the
music is white kids?
Freddie
Foxxx - What's wrong with it. Who said hip hop was only for
blacks and Spanish people.
ThaFormula.com
- True, but since the White kids have started to really buy hip
hop their has been a big change in the music and I'm talkin about
radio wise. I mean don't you think your music should be on the
radio?
Freddie
Foxxx - What I should be doin and what Im doin are two different
things. What I should be doin is keepin myself honest to myself
and being true to what I do. I can't control what radio
plays. Radio is like some bullshit. I mean radio programmers
uh the FCC should really come down on alot of radio stations who are
takin payola. So it's about money, you see what im
sayin.
ThaFormula.com
- Who do you think should be called out. The Station, the middle
man, or the label?
Freddie
Foxxx - Well you know what. You can't expect a record
company to do the right thing by a hip hop artist cause they don't
know about hip hop. So they hire some little asshole out of some
college who convinces them that he's the next Puffy or the next Steve
Stout and now this muthafucka is tellin you sign this sign that and
ain't movin the music along. I'll give you a good example.
Hot 97 in new york fired DJ Red Alert. Red Alert was playin real
true old school. Disco 3, Grandmaster Flash and Furious Five,
Kurtis Blow. He was playin the original old school music. They
hire Mr. Cee. Now they hired Mr. Cee. Mr. Cee is playin
old school and new, but guess what kinda records he's playin. Junior
Mafia, Brand Nubian, you know shit like that. That's not old
school yo!! It's like in the middle, it's not new but it's not
old school. The rcord ain't even ten years old and he's got it
on old school and new. So what happens is the program directors
are trying to move the music along and by movin the music along, they
are tryin to push hip hop into another era and just fade out guys like
me, Kane, Gangstarr, you know what im sayin. The problem is not
the people that wanna get into it. The problem is the people
that don't want to hold on to it. So what I'm sayin to you is,
you can't get jammed up in believin that the music can't
advance. See you have to stay true to your form. Being
true to your form means the music has to be good. You know what? You
asked me a question about if I would rock with Britney Spears.
If Britney Spears brought me a track that she did, no I wouldn't rock
with her. But if she brought me a track that Primo did and she
sang on the hook, Hell Yeah! I'll do that shit!! You feel what I'm
sayin! Cause I know it's gonna be hot. I know Premier's gonna
bring it. It's like when Premier produces for Janet Jackson. She
said I respect Premier more then I respect Puffy. Cause Premier at
least really sits down and produces his shit. Even if he does
sample, he don't let you know that he's samplin. You feel
me. Cause I want you to get a true understanding of how I feel
as a artist.
ThaFormula.com
- Nah, I understand. For me these are the type of interviews I
look forward to. I grew up listening to you in Tha Flava Unit
man.
Freddie
Foxxx - Alright. Now dig. When I did Industry shakedown, I
did that because I know that the only time that it's relevant to speak
is when people are listenin. So if I have somethin to say, ain't
no need for me sayin it if people ain't listening. So I did
Industry Shakedown cause I wanted to get them listening. And now
that their listening, people are sayin I wonder what he's gonna drop
next. So I wanted to do the Connection. I gotta album
called the Connection. Now the connection is where people get to
know a little more about me as an artist. You know I'm not gonna
make a whole album about dissin people all the god damn time cause
that's some bully shit. I don't do no shit like that. If
Imma step to somebody, it's because I have a reason. I make
concept albums. I'm already another album ahead. My third
album is called American Blackman. The reason I'm doin American
Blackman is because I think what happens now is the industry has kinda
bought peoples souls. They don't really talk about shit no
more. Everything is the same old shit. And it ain't nothin wrong
with havin jewelry, it ain't nothin wrong with havin nice cars and
nice houses. But a Black muthafucka tellin the same story out of
ten different bodies and that shit is bullshit! So what do we
do. We either keep talkin shit about it or we take the steps to
be different. And I'm not gonna stand on stage and hold my dick,
and say "Yo everybody throw your muthafuckin hands in the
air" Fuck that!! Imma lyricists, imma writer. So when
I get on stage and do my shit! I'm doin my shit! I ain't with all that
bullshit! Everybody walkin around with a hundred muthafuckaz and all
that. And ain't nobody got more niggaz then me! I got more muthafuckaz
under my control then half these muthafuckaz ever wish they had.
But at the end of the day, I'm not gonna march my soldiers unless we
goin to war.
ThaFormula.com
- Why did you call out names like Noreaga and Ghost. What did you
mean by all that?
Freddie
Foxxx - I didn't call Wu Tang out. What I said was "I'm
about to save hip hop like Ghost saved the Wu" My ears are on the
street everyday. people felt like the Wu was fallin off or they
hadn't dropped nothin, so people started listenin to this other
shit. Then here come Ghostface with this hot ass single and now
everybody is back on Wu's dick. That's what I meant when I said
that. Now when I talked about Nore. I said i'm sick and
tired of hearin him say "What, what, what", "write some
rhymes or give the shit up up up". What I was sayin was the
same thing everybody is sayin behind his back. I just said it
out loud in his fucken face. Everybody say the same shit but
nobody tell him to his face. Every time I heard a Nore record,
everything was "what, what" and I know Nore is a better
rappa then that. I know personally he's a better rappa then
that.
ThaFormula.com
-So what you were really doin was trying to give them some advice ?
Freddie
Foxxx - Exactly, but if muthafuckaz wanna take it fucked up, then
hey that's on them.
ThaFormula.com
- So it never had anything to do with talkin shit or havin beef right?
Freddie
Foxxx - Nah, not at all. And you know I spoke to him about
it and I told him the same thing I told you. He had took it a
little far at one point, but that's all Hennessey and all that
bullshit talkin. Cause I know I ain't the type of muthafucka
that gonna let anybody do nothin to me. I'm an mc and ain't
nobody in the fucken world that's gonna tell me what the fuck I can
say or what I can't say. We can fight about it, we can shoot it
out, whatever you all niggaz wanna play, cowboys and Indians, we can
do all that! I'm a grown ass man and I make what I call grown folk
music. Sometimes people don't understand that when you make a
record that's concept then you a concept MC man. Some niggaz
just be rappin about nothin and I ain't with none of that bullshit!!
ThaFormula.com -
What's up with the new album?
Freddie
Foxxx - I'm workin on it right now dog, as we speak.
ThaFormula.com
- What can you tell me about it?
Freddie
Foxxx - Other then the fact that it's called the connection, it's
very ill. I got like 15 joints on there right now. I think
Imma give them more records this time though. On Industry
Shakedown, I wanted to give them more songs, but my songs always have
to have something to do with the concept of the album.
ThaFormula.com
- You opened alot of peoples eyes with that album and actually
brought old hip hop heads back from the dead to check your album?
Freddie
Foxxx - Well you know somethin that's what I wanted to do.
if I would have tried to make a record and cater to the radio, I would
have not only lost respect, but that's what sellin out is about man!!!
Freddie
Foxxx - (continued from part 1) Let's say somebody gave you a
article to write on a mainstream dude. Let's say Ja Rule. Let's
say you wanna write about Ja Rule. So you say okay cool! You
write an article about Ja Rule right! So you ask Ja Rule, What
you think about underground? Ja Rule believes he's underground! In his
mind, he's underground. He may look underground, you know, but
underground is like, man Ja Rule ain't gonna play no club with like
200 people in it man. Where he can reach off the stage and touch
people man. Underground is more then just a name yo! It's a
culture. I am underground hip hop! If a muthafucka think
he is, he's gotta come thru me first, because what I did is I claimed
it as my own. So I said underground is me. So when people start
tellin me, "Yo, Im underground" Aight cool, if you
underground then you gotta come to the king of underground first cause
I took it as my own. I didn't ask nobody for it! I straight
jacked it!! It's mine, because niggaz have abandoned that shit,
they left it for dead. You got a handful of people like Showbiz
and Primo. You know we got a handful of soldiers left and at the
end of the day somebody had to claim it as their own. It's our
shit. We took it, it's us and I'm the gatekeeper. So my thing is
when people like take Busta Rhymes, he thinks he's underground.
I don't know who the fuck told him that! He used to be, but he ain't
no more.
ThaFormula.com
- So he used to be, but he ain't no more. Why?
Freddie
Foxxx - Cause he sold more records then he would normally do, so
he plays bigger venues. You know what that is, it's what I call
feedin the poor man. He could have still got alot of money and
kept it underground. He just would have been underground to a
bigger audience and still been playin at them small places and
catering to the little people. I dunn seen alot of these artists
won't even sign autographs for people man. Real egotistic and
shit and that's fucked up. I know dudes that get big headed man
and that's what I call nigga business. People get a little money
and they get gassed up, but that ain't got nothin to do with hip
hop. That's got to do with society period! Just cause
somebody got jewelry they callin it bling bling rap! Muthafucka
made up the word bling bling should be gettin publishin for that shit.
It's just like when Kool Herc started hip hop. You know, we just
went to a hip hop summit and I watched Farrakhan give a speech and I
don't think nobody is listening to that shit. You know what I
noticed to man, you can play a record for somebody right. One
time they will hear the record and then never hear it again.
People should listen to a record everytime like their listening to it
for the first time. Not sit their and wait to hear a song for
the first time and then say "Aw, I already heard that" when
they hear it again. Who gives a fuck if you already heard it! When I
listen to Marvin Gaye and all the old records I get my inspiration
from , I listen to it like it's the first time I ever heard.
Their is so many surface muthafuckas rappin from the chin!
ThaFormula.com
-
When people say hip hop has gotten worst, or hip hop is not what it
used to be. Do you think that this is true?
Freddie
Foxxx - Well it ain't what it used to be, but nothing is what it
used to be.
ThaFormula.com
- I'm talkin about that certain period of time when Premo was
runnin things and it seemed like everyone in the underground was
droppin a dope album. I mean what happened or what went wrong. Why is
the underground scene so different now?
Freddie
Foxxx - Well you know what, everything moves along bro, and it's
up to those guys to stay consistent so they can still be seen in the
same light.
ThaFormula.com
- But do you think it was that they didn't stay consistent, or did
the industry as in the major labels just take over. Who get's the
blame?
Freddie
Foxxx - Their's no one person or one entity responsible. Who's
responsible involves alot of people. Imma tell you what I
do. You notice the sudden urge of independent distributors.
Those are the same people that were puttin out these records when EPMD
came out, you know Island Records. That was the level of labels
back in the day. I mean the deals that these people are givin
out are so fuckin wack! Some of the deals that people get are such
bullshit! But they takin em. That's why alot of these cats have
to know how to structure their deals. Alot of these cats don't know
the business.
ThaFormula.com
- So tell me Foxxx, in your eyes what's a wack deal?
Freddie
Foxxx - Them little $ 250,000 budgets, I ain't feelin that.
If I was to do a deal with a major I gotta own my shit. A wack
deal is when somebody takes your product right and they say, We gonna
take your product and were gonna give you a half a million dollars,
and were gonna use your product to make back our half a million. So
they use your music to make back their money and then still keep ownin
everything and pay you a percentage of your shit. That's wack
Yo! I mean if your gonna purchase somethin, purchase it! But, you
ain't gonna jack me for my work man. Fuck that shit yo! You know
that's a stick up. You know, you get these deals with a point
structure and all that. A point structure is just another word
for percentage and record companies are callin the shots. If
your bring your shit to a record label and they tell you what they
gonna pay you, it's like wait a minute! I'm the one with the
shit here. It's like you got the pipeline and I got the
product. There's no communication here because nobody sits down
and tells these record companies, "Here, let me teach you what
hip hop is about" "Let me teach you where it's at and what
it is". See the only good thing about record companies is
that they can blow up your name. The only thing that a record
company has ever done for me was put my name in a certain place.
Once people heard my name the first time, I took advantage of
that. So the only good thing a record company has ever done for
Freddie Foxxx is they had my name in the mix. Other then that,
they ain't never did shit for me. Fuck they money and everything
else cause the money they made, I mean everything I ever had from
every record label, I tripled it.
ThaFormula.com
- The Industry Shakedown LP. Were you happy with the
results. I mean how did everything turn out for you?
Freddie
Foxxx - I mean the label that I did it with, which was Landspeed,
was wack. But it did what I wanted it to do.
ThaFormula.com
- Alot of artists are signing with or thinkin about signing with
Landspeed. Why do you say it was wack?
Freddie
Foxxx - Let me be the first one to tell them not to do it, because
they don't know what their doin yo! I was the biggest project
that Landspeed ever put out. People are only tryin to go after
Landspeed because I was their and everybody seen the success of
Industry Shakedown. The success of Industry Shakedown had to do
with who I am. It had nothin to do with any work that was being
done by Landspeed. Landspeed was able to get the records in the
stores, but see the best thing about workin as a independent artist is
when it's payday. Feel me! You ain't gonna have the same
problems and the same shit go down when it's pay day, unless you get
an asshole that gets excited when he sees a certain amount of records
and takes advantage. So for instance when I structured a deal,
my shit is you can't promote my record in no market and spend no money
on promotion unless I sign off on it. Because people start
spendin your money and tellin you that you owe them. So you
control it by sayin, "Look Holmes, do not put no street teams out
unless you tell me what the hell you doin". Then I need to
sign off to know how much of my money you spendin. Cause that's
what they are doing. Everything that they spend, their gonna
charge you back for.
ThaFormula.com
- So financially Industry Shakedown was good for
Landspeed?.
Freddie
Foxxx - It was good for Landspeed, but it was better for me.
The reason I like Independent distributors, is because at the end of
the day you don't have to go after no corporate structure to get your
money. I know who I gotta go after if anybody wanna steal.
I know who's house I gotta go kick in the door. I know Ima jump
in the bed with this man and his wife and we gonna discuss my
business. AIn't gonna be none of that "Oh I cant get you
after 5 o'clock" bullshit. Every Lawyer that I got, I got
they home number. If a lawyer don't give me his phone number, I
don't hire them. That's what lawyers are for.
ThaFormula.com
- So are you happy with the way things have turned out for you
man? Cause I know it's been a struggle for you man.
Freddie
Foxxx - Well, I'm happy that I'm still Bumpy knuckles and that I
haven't changed. It's always gonna be a fight, especially when that
kind of money is in play. But at the end of the day I always get
my money man! But people have to decide whether they want drama or
they want paper.
ThaFormula.com
-So waht are you doin right now Label wise?
Freddie
Foxxx - Well you know , their's a couple of labels commin at me to
work with them, but I wouldn't put another record out on Landspeed.
I'll stop rappin before I do another Landspeed deal. That's how
bad it was as far as the personal. You know, you talkin to a
muthafucka that don't look you in the face. And I knew he was a
piece of shit when I first met him, but my brother, God Bless his
soul. He asked me to do that deal cause he had a record on that
label and he was like "Yo Foxxx that kid at Landspeed don't
believe you my brother" . So I said alright, I'll see what's up
cause he was like "Yo, you think you can get your brother to do a
song" and he was beggin my brother and shit, so I did on the strength
of my brother. Shortly after that my brother past away and I did
that because of my brother. So I'm really not a Landspeed fan
and I'm never gonna be a Landspeed fan. So at the end of the day
if he wanna be popular, I'll make him popular like a rapists, or a
thief or a child molester, or something of that nature. But
people don't fuck me cause I'm not fuckable. When people do that
they have to make a decision.
ThaFormula.com
- So Bumpy Knuckles and all that shit is not actin then?
Freddie
Foxxx - Fuck No!!
ThaFormula.com
- What would you say the percentage of all these thug rappaz are
actin?
Freddie
Foxxx - Let's look at it like this. If a man kills somebody
he's going to jail, right. You get one body the cops are lookin
for you. Your not gonna get on stage talkin about how many
muthafuckaz you killed. That's the bottom line! So at the
end of the day, you can answer that question yourself. I never
screamed to be a killer, but everybody know me man. If somebody
was to do something to me, they know I'm steppin to my business.
If I did kill a muthafucka, I ain't gonna get on no magazine or no
record and tell you, "Yo I murdered that nigga man".
That would be pretty stupid. That's like wearin fluorescent
draws in a black light club. Know what I'm sayin (Laughs).
Muthafucka know where you at dog. With me it's really about the
music. I love music. And I mean I listen to all kinds of
music, but what comes out of my soul is what you hear on those
records. I listen to all kinds of music cause I love sound
man. I look at everything around me that I've been thru and
where I been man and it's about commin up. It's about commin up
and makin somethin of yourself. See when you die, the only thing you
have left is your legacy. People gonna talk about you when you
leave this muthafucka. But one thing I want them to say about me
when I'm dead and gone is "Yo man , their's nothin fake about
that dude man". I'm not a three dollar bill ass muthafucka man,
and I don't wanna hear muthafuckaz talkin about how tough I was.
Fuck all that shit. I want muthafuckaz to talk about how nice my
music was. I do what's in my heart and I hate when people ask me
the same ol fucken questions. "How did you start",
"Where did you come from", muthafucka you know where I'm
from! You know what I do, you know what I am. You wanted
to talk to me so you know what's cracking.
ThaFormula.com
- That's why we didn't bother to ask that. We just wanted to know
what you thought of the shit was happenin in hip hop now?
Freddie
Foxxx - See if you say "Yo, real hip hop, fake hip
hop". All of this is hip hop. Some of it is better
then others. I tell guys that come around me that rhyme. I
say "Yo, if you can rhyme, we can do some shit together, but if
your wack, Ima tell you you wack". That's why you never see
me runnin out there tryin to find rappaz and shit like that.
Cause I don't want the headache, I know how it is. You know I
used to bodyguard and run with Paid In Full Posse Eric B and
them. And I used to watch dudes that wanted to be on, runnin
behind Eric and them kissin they ass askin for a hundred dollars here
and a hundred dollars there. Stressin Rakim out tryin to be all on his
dick cause he was a star makin money and they didn't have shit.
"Yo I can't pay my rent" and shit like that. That's
some pussy ass shit man, and they call it payin dues. That ain't
payin dues that's beggin! I always took care of myself. If
I wasn't out in the streets tryin to make me a dollar somewhere, I was
in the studio tryin to make me a record. Every man wants to be
successful. The greatest feelin in the world is when a man can
come home and take care of his family and still put some money away
and get a good night sleep and know that everybody is happy.
Kids, woman, whatever you got, know what I mean.
ThaFormula.com
- Did you see Tha Flava Unit as something that was gonna last or
as something that was gonna fall apart?
Freddie
Foxxx - When I was with Flava Unit, what I realized is that I had
to stop puttin myself beneath these other rappaz in that I was rollin
with Krs1 and all these different people and I was like "yo,
these muthafuckaz are my fans to". When I was rollin with
Krs1, I liked Krs1 and he asked me to do the track "Ruff,
Ruff" with him. So I came to the studio, but I was like
"Damn, I don't really wanna spit this gangsta shit on his joint
because you know he's on this black power shit. So I sat down
and I wrote this rhyme and the rhyme was hot but he looked at me and
said, "Yo, i like the rhyme Foxx, don't get me wrong it's dope,
but I want Bumpy Knuckles". So I said Aight and wrote my
shit. I burned the muthafucken house down and I told him this is
what I would do if I had drama. I'll kill your kids, I'll kill
you and raise your kids till they grow and then kill them. And
that's how I really felt at the time cause I was a angry muthafucka in
the streets. Man I was in the streets wildin! Some of the dudes
that I been around will tell you some stories, but I don't like
to talk about it. I ain't never tried to tell people, "Yo,
I'm real". I can prove it. My shit speaks for
itself. Especially when them boxing matches come up and they
talkin about celebrity rap boxers gettin in the ring and throwin
down. You see what happened to Sticky Fingaz on MTV right.
He got his fucken ass wooped! All that fucken six pack muscles, and
murder, and throw your guns in the air shit! He got beat up by a
surfer dude! This is why I try to tell everybody, this is about
mcing. This ain't about how bad you are. This ain't about
how much crack you sold. This ain't about how many women you
fucked. This is about Mcing!
ThaFormula.com
- This Sticky Fingaz match. What was that about?
Freddie
Foxxx - It was at a celebrity boxing match. Back in the
90's I had a celebrity boxing match that I was in and I have 2 belts
that I won. I won a heavyweight and a super heavyweight boxing
belt. You know Tim Dog from "Fuck Compton" was
supposed to be there. But when it came down to fighting he didn't
show up. We were fighting against Rap - A - Lot Records.
Tim Dog was supposed to fight this kid named Dope E from a group
called The Terrorist. So I fought my fight against a kid named
Spook and I knocked him out and then Tim didn't show up. So I
said that's fucked up. Cause he's misrepresentin New York, so I
took his fight. I fought twice and I caught two knockouts.
So when holmes didn't show up niggaz wasn't feelin him anymore.
They were sayin "that's wack, Freddie Foxxx had to fight his shit
for him". I didn't do it to embarrass him or nothin,
but I felt like damn man, these niggaz from Texas gonna go back there
sayin New York niggaz is pussy or somethin. And I rep where I'm
from!!
ThaFormula.com
- Do you feel hip hop is run by gangstaz?
Freddie
Foxxx - When you talk about guys like Tommy Matola, you
muthafuckin right. That's like George Bush and them. Those
are the real gangstaz. These muthafuckaz out here ain't no god
damn gangstaz. Gangstaz know how to organize. They control
shit. Gangstaz no how to put something together and say
"Yo, this is what we got right here and this is how it's gonna
work". These muthafuckaz in hip hop don't do that.
were not gangstaz out here cause we don't control nothin and we don't
have no organization amongst ourselves. Trust me and you know
I'm tellin you from my mouth, No Gangstaz man!! If these muthafuckaz
was gangstaz man, we'd be organized and we would have a genre of music
that's not separated or divided by some people that don't know nothing
about the music. You would know organization would be in place
cause gangstaz organize. Ain't no organization, that's why they
call it organization. Ain't no organization in this music
man. It's like a drug block with ten niggaz sellin they own shit
on it.
ThaFormula.com
- So is it every man for himself in the industry?
Freddie
Foxxx - Well, it seems like that's the attitude and the only thing
you could have is a little Jesse Jackson in you and hope that it
changes. But at the end of the day, I honestly doubt it because
now the quality of the mc is not the same. You got mc's out here
that claim they rap and they nice lyrically and so what happens is the
fans are accepting the wack shit because that's all they have.
So their trying to find a dope verse or one line and one rap record
and they can say "Oh, he's nice", instead of saying
"Yo, like Kane and Smooth Operator". Those records had
a certain quality about them that made you feel a chill in you when
the shit came on. Now you got all this plastic ass lightweight
shit with no bass in it and it's like you know the game is changing
when white boys who ain't have no rhythm is makin the better beats
now. I mean white boys are totally on another field. I
mean they was listening to some other shit, they was on some 2 / 4
shit. In musical terms 2/4, if you know like James Brown was the
only man to change music from a 2 / 4 to a 1 / 3. That's why he
said drop it on the one cause black people dance a certain way.
Come on man! Hip hop is responsible for white girls havin phat
asses. Let's be honest about this shit man. It ain't a
racist statement. That's shocking when a muthafucka see a white
girl with a fat ass. The first thing they say is, "She got
a fat ass for a white girl", but that's hip hop man. I
remember it was disgusting for a while for a white girl to have a big
ass. They hated that. When you talk about White boys in the
game, they are the most rebellious people in the world. Look at
Eminem!
ThaFormula.com
-
What are your thoughts on Eminem?
Freddie
Foxxx - I think Eminem is a dope lyricists. I think for him
to rhyme the way he does, I think is incredible. I'm not mad at
him personally myself. Shit, he is doin him. It's not like
he's trying to act like a gangsta. eminem is being who he
is. He's actin like a rebellious ass, spoiled brat little white
boy. That's what he act like. He act like a white boy who
didn't get along with his mother. He's just being a typical
white boy and the only difference is, he ain't a rock n roller.
He's being just who the fuck he is. I respect Eminem more then I
respect Vanilla Ice. You know why? Cause Vanilla Ice
wasn't being himself. He was trying to be like Hammer and
them. He was mocking what they were doing and he happened to
just get paid on it. See Eminem is really just being himself. A
silly ass muthafuckin drug takin cracka! (Laughs) I ain't mad at
him. See the thing is sometimes you see a dude like Eminem who's
nice on his lyrics and their's radio stations that don't play hip hop,
but they will play Eminem. Now that's the sucka shit right
there!! that's the shit that's foul!
ThaFormula.com
- That's some racist shit right there man.
Freddie
Foxxx - Of course it is, but who else are white people supposed to
look out for other then their own. Their not obligated to look
out for us, they never have. And it's always been a lookout if
they did. It's always been "Yo, that's peace, he looked
out". If black people would learn to act in accordance with
the culture of being black and honoring thy neighbor and so
forth, white people would respect us more and black people would get
further in society. You know black people have a history of
sayin it from the mountain top. That's why you hear all these
muthafuckaz sayin, "Yo, I got a car, I got jewelry, I got this, I
got that. A nigga make a little money, shit it's shocking.
But the part is when they expect that a white programmer at a radio
station is gonna know about their music. NO! What they
know about is programming a radio station. But they don't come
to the hood. Once they play something on the radio, people are
forced to listen to it. After a while it grows on you.
ThaFormula.com
- Yeah, they will have you singin a Britney Spears song without
you even realizing you singin it?
Freddie
Foxxx - Exactly, let me tell you something homeboy. If you
play a certain record on the radio all day and the shit is wack, after
a while your gonna find yourself singin that shit. They can't
tell you what they can and what they can't play. They tell you
what they will play and what they won't play. You dig! Back in
the days, some of the black gangstaz had a little organization called
fair play. Where they would stick bubble gum in all the
jukeboxes. The dudes was like I want my record played, but the
mob had control of the radio. So they was like alright
cool. We gonna put bubble gum in all of the slots in the
jukeboxes, so they can't get they money now. So that's stops the
money. My point is they had fairplay. They used to be able
to go to the station and tell the DJ, play my shit or Ima bust you in
you muthafuckin head. That's what I'm talkin about! That's what
I'm feelin right their. See and alot of times, these dudes got ulterior
motives. If the DJ's would stay being Dj's and stop trying to be
fuckin stars themselves, we wouldn't have such a big
problem.
ThaFormula.com
- That's something not many rappaz talk about. Do you think
that is a big problem?
Freddie
Foxxx - Well, you know what it is man. The focus is off the
artist. A DJ is a star in his own right. Now you got DJ's
rappin and shit. That's why on "The Lah" um
okay. The reason I said what I said about Allen Iverson is
because as a basketball player, Allen Iverson is the truth. I
don't care what nobody say, but the nigga sucks as an mc, i'm
sorry. I'll tell a mutha fucka to his face. So what he did
was, him and a whole bunch of other dudes like Kobe Bryant, they
trivialized everything that somebody like myself and all these dudes
have worked hard for all they life. People have to realize when
they won. For Allen Iverson to come from where he comes from and
be looked at as the top point guard in the NBA, he's already
won. But now, he wanna just take his money and make a record and
talk about the same shit that a gangsta in the street is talkin
about. And he's a point guard in the NBA. Do you know how
stupid that is man. Do you know how ignorant that is for a
muthafucka of his statue to get on a record and talk about he's a
gangsta and he busts his gun and all that. Who gives a
fuck! Nigga you got the best crossover in the fucken game.
Talk about building a mansion and burning that shit down. That's
ignorance man! That ain't no fly shit. I'm in the fucken
streets. I know what it's like for a muthafucka like me to hear some
shit like that. It's depressing Yo! We trying to fight to
get to a certain level and if he got mad at me for saying this, I
wouldn't give a fuck, but I don't think he could because he know I'm
right. muthafuckaz is opening up doors that they don't need to
be going in cause he's not in it like that. I'm sure he did time
or whatever he said, but who gives a fuck. That ain't nothin you
get on no record and say.
ThaFormula.com
- So what did you do in between that time that you just disappeared
from the scene?
Freddie
Foxxx - I made records and I sold them underground. Man I
haven't worked a real job since 87 man. I sold them out of my
trunk, out of my car. I'd take a box a records and press them up
at some cheap ass factory. If I didn't have enough money to make
a A and B side, I made an A side. I would take 20,000 or 30,000
and I would make it work for me and put it back in. This is all
I ever done man. And when I'm finished in this game, Im gonna be
swimming in my yard man. I'm not gonna be looking at the radio
station looking for a job in this business. I don't even like
this business. The culture of hip hop is beautiful, but he
business that overshadows it is wicked man. And it's full of
serpents that smile in your face and tell you one thing and mean you
harm on the back end.
ThaFormula.com
- Why do you think you brought alot of old heads back out to check
for your album?
Freddie
Foxxx - Cause they live through us man. Were the pulse that beats
in their heart and that's why I make my music the way I do. I got a
song on my album called "I can't understand it" and
what the song is about is a guy who meets a girl. It's like, I meet
you and your so beautiful and so fine then me and you start kickin it
and now you become my girl. Now you move in my house. Now
you start eating all my goddamn food and gettin fat and ugly and funky
looking and now you ain't gonna take care of yourself and I can't understand
why you switchin up on me now. All because you gave me
some pussy, now I'm supposed to change and just accept who you are and
keep lookin at your fat, ugly ass, lookin like star Jones and
I'm supposed to be happy with this shit. But it's grown folk
music. I can't expect no 13 or 14 year old muthafucka to
understand that. And I don't make records for them young niggaz
that don't understand it. I make records for people that
understand what I talk about.
ThaFormula.com
- Do you think if Tupac and Big were alive right now things would
be different?
Freddie
Foxxx - No it wouldn't. It would be the same goddamn
thing. People can find it in their minds to believe what they
want. If Tupac and Biggie was alive right now. We would just
have 2 more dope ass mc's on the roster.
ThaFormula.com
- But do you think their would still be those Tupac biters around?
Freddie
Foxxx - Yeah, their's Tupac biters right now. Like Little Zane
(Laughs)
ThaFormula.com
-The song you did with Mike Myers where you called out Shyne and
X. Do you thing two guys like that would be around right now?
Freddie
Foxxx - The industry wouldn't have no reason to create them cause
they would have the original. What happens is they listen to
those guys and were probably influenced by those guys and the industry
saw that. I met a guy the other day who used to double for tupac in
his videos and movies. If this muthafucka could rhyme, I know he
would get a deal. And somebody probably if they run into him and look
at him, what they would do is they would take the muthafucka and they
would make him rhyme. This dude looked exactly like Pac. I
stared at him for 10 minutes. Pac is on my new album man.
It's called "Don't fuck with a killah"
ThaFormula.com
- What was that from man?
Freddie
Foxxx - We did it, you know what im sayin. When you hear it,
everybody is gonna say that this nigga can't be dead yo! It ain't no
clone it's him. It's hot yo and when you hear it, you gonna say,
Ahh, where that come from. But you know, I said it on
"Devious Minds". I said "I even rocked with Pac,
but you ain't heard that yet".
ThaFormula.com
- So you rocked with Pac?
Freddie
Foxxx - Yeah, That was my dog man. Me and him had a very
good relationship. He was runnin with Live Squad at the time and
he was runnin with Stretch and them. That's when me and him was
really, um, I mean we didn't hang out hang out, but he would come by
my section and I would come by his and kick it a little bit and I had
did this joint, but I never put it out. It was called
"Don't fuck with a killer" and I did it when I was on Flavor
Unit. But I didn't want to give it to them cause they had
screwed up so much. I never put it out and I always had the
track just sittin their.
ThaFormula.com
- So why did you wait so long?
Freddie
Foxxx - Cause I'm a feeling guy and it goes with the concept on
the Connection. Like Industry Shakedown, it didn't go with
that. Cause I'm an artists man and I got to feel it. If I don't
feel it, I'm not doing it. I'm not a paper soldier. I like
it when I walk in a room and people shit on themselves. That
shows you who's got love for me in their heart and who don't.
That shows you what's up.
ThaFormula.com
- So you told me you got 15 tracks for the new album so far.
Production wise what's happening with the new album?
Freddie
Foxxx - Well, I worked with Primo, Alchemist, you know my same
team. Pete Rock and I did some joints myself cause my studio is
always blazing, always got shit jumpin off in here. I got beats
and I get beats from alot of cats that been wanting to work with me
for a long time, but they gotta be a certain type of
sound.
ThaFormula.com
- How is it workin with Premier and Pete Rock man?
Freddie
Foxxx - It's good cause their real good producers. Those
guys are vintage man. When you work with a guy like Premier or
Pete or one of them, the dope shit is when Premier will go "Yo
man, I need you to do that verse again cause it didn't sound as good
as the first time". That makes you feel good cause you say
"Damn, somebody is really workin and producin. Producin
don't mean just make a beat. Producin means tellin the artist,
"Yo man, give it a little more accent right there or a little
less this or a little more of that".
ThaFormula.com
- How was workin with Alchemist?
Freddie
Foxxx - Actually I used Alchemist to do a track for me when he
wasn't even that hot. But I like his vibe. He's like a
baby Primo in a sense. Alchemist is a good person to man, I mean
he really is a good guy. When you talk to him, he's so humble,
nice and cool. He's not one of those arrogant muthafuckaz that think
he's bigger or better then anybody else. He gets in the studio
and does the same thing. He plays some hot shit and he got a
good ear. So I work with those people that's gonna bring to the
track what I'm going to bring to the rhyme.
ThaFormula.com
- Will you ever record another track with Krs1?
Freddie
Foxxx - Yeah, we actually are talkin about it now. He's
been callin me about it.
ThaFormula.com
- Will there be another Militia track?
Freddie
Foxxx - Yeah, Their's gonna be The Militia 2 on Gangstarrs new
album.
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