ThaFormula.com
- So let's start off by breaking down the new album?
Necro - Ahh, it's phat man. It's all about violence and whores. It's
all about fucking vaginas.
ThaFormula.com - How has this new album done compared to
"I Need Drugs"?
Necro - This one's different because I need drugs had new joints
and shit but some stuff on I need drugs I recorded in '98. It had some
freestyles on it. Some shit was recorded I think in 2000, so it was
kind of like mish-moshed and shit. Some tracks had better quality then
others. With this album everything was recorded in the same studio,
same mind frame, so it was definitely different. That's why I think it
kind of came out better, but like there is still jewels on I need
drugs. Every album has got jewels on it.
ThaFormula.com - How did you end up hooking up with Fashion of
the Beatnuts for that one single?
Necro - I got hooked up I think through Missing Link and shit. Through
this cat that was doing A&R for Def Jam and I did a track for
Christ that never came out and it let into being cool with him and led
into getting down with Al Tariq and doing something for Missing Link.
Then I just did a single with Tariq and we put that out. I took a
little break not trying to do beats for people for a minute and I
think I'm gonna get back into it now because a lot of people have been
requesting shit so I'll get back into it. I'm makin' some beat tapes
right now for some people that matter.
ThaFormula.com - Well your production on Gory Days has
definitely been on point and I thought "I Need Drugs" from
your previous album was a hell of a concept. That track really tripped
out a lot of people.
Necro - Yeah I need drugs was kind of ill. It was just a little
something of an idea. I mean you can listen to the whole album of
"I Need Drugs" and you'll see that I wasn't rhymin' nothing
else like "I Need Drugs." It was just like a one time
thing. I even made 2 versions, one where I'm rhymin' grimy and shit.
But I stayed with the one that sounded more like LL and shit. The
whole idea behind it was first of all to flip it, but it was also like
imagine if your all dusted and drugged and everything is different now
and it's like a twilight show shit. You know you walk in the Twilight
Zone and boom the whole song is flipped. So it will sound exactly like
him just different lyrics. That was like the main point. It wasn't
meant to be something where like boom oh check this out. This is like
the representation of my whole style.
ThaFormula.com - Does it make you angry that you probably would
have sold double or more off of that album if it would have got out
there like you would have liked it to?
Necro - Yeah, you know at first I was pissed off and I was gonna fuck
some people up at the label and wild out and shit. But in this
business man they try to blacklist you real quick and they try to like
fuck shit up for you with other people and muthafuckas are snitches
and they got your address, so you got to kind of keep shit in check
and think about the big picture, and the big picture is that I know
that I'm gonna be huge no matter what because of the fact that, number
one I got the talent, number two I got the beats and number three I'm
learning everyday the business on another level and I'm building. I'm
actually doing shit. So it's like your working out and you know you
could get cock diesel but you ain't gonna do that if you sit on your
ass all day and do the correct things, but if you know that your
working out everyday and eating correctly, you know you gonna get
there and I'm doing that. I'm constantly putting in work. I'm
constantly doing this and that. Adding on to my shit and constantly
making my shit better. Every year I get more press and every
year I'm doing more things.
ThaFormula.com - You put a lot of ads in magazines man!
Necro - Yeah, I pissed away a lot of money in XXL. A lot of money went
down the drain.
ThaFormula.com - Why would you say it was money down the drain?
Necro - Because I don't think I sold any records from it and those
cock-suckers at XXL won't give me no fucking press in the magazine. I
even spoke to the editor Dennis Page. I went like to the head cat and
was like "yo what's up, I spent like $26,000 dollars in your shit
man, mention me, give me some light, what the fuck!" "You're
trying not to acknowledge me?"
ThaFormula.com - They gave you a spot in their "Show &
Prove" column though right?
Necro - Yeah, I already had a "Show N Prove" in there in May
of 2001 and now I'm doing ads in your shit 4 months in a row. Double
page ads plus a regular page that ran 4 months all together and you
know you ain't fucking giving me no light, no review, no nothing. Just
being shady. It's just all and all I lost out on that because I don't
think people bought my records from seeing my picture. I could have
spent $30,000 and got about 100,000 snippet tapes and I think that
would have did better for me. I just made a bad decision but at the
same time I'm doing shit, so when you do shit you fail, you make
failures, you make mistakes, but you know what I'm saying I learned
from it though. I'm not gonna make the same mistake twice.
ThaFormula.com - I remember you putting out a gang of ads in
XXL.
Necro - I mean all I really did was XXL really, and then I did posters
and shit and flats and shit like that. I had like 50,000 for
"Gory Days" and we sold like 10,000 copies so far in like 3
months so that ain't that bad because I did 20,000 of "I Need
Drugs" in a year and a half. The thing with "I Need
Drugs" was that the label fucked me over at the last minute. Our
deal was for $120,000. They put in $50,000 and then they wouldn't put
in no more money.
ThaFormula.com - Why didn't you try to step to them legally?
Necro - They flaked out in the middle so it wouldn't have done me no
good to be like ah fuck you, stop sellin' my record and you done
breached it and take them to court because, first of all I really
didn't have money for lawyers and I was just kind of fucked because
people wanted the record. So if I was to take it away from them and
not have somebody else, then the record wouldn't even be getting
distributed, so they kind of jerked me in a way where they were able
to get over on me and it was like they were putting money into Freddie
Foxxx. They put like $200,000 plus into him and that's why he did what
he did. Bear in mind that they only put $50,000 into me and that ain't
enough man. For a brand new cat like me I need that extra push.
ThaFormula.com - How is it this time out with "Gory
Days?"
Necro - It's the same thing with my label right now. This time I was
able to do more with the money. I control everything and you know
whatever I made mistakes, but it's all good though because I'm a
hustler. I make mistakes, I do things, It's all good though because
I'm making things happen. I'm opening up a new web site, a porn site.
It's gonna be on in about a week or so. I got my website now and I'm
about to add mad more product to it. I just did half the Non-Phixion
album so it means my production is being featured right next to Primo,
Large Professor, JuJu and Pete Rock. I mean all them cats haven't been
on the same album I think since Illmatic.
ThaFormula.com - Yeah that Non-Phixion is definitely looking
like a classic.
Necro - Yeah, the new 12" that Non-Phixion is droppin', the
A-side is produced by Premier and the B-side is produced by me. That's
kind of phat because it's like I never really been on a record with my
production opposite a heavyweight and Primo is definitely a
heavyweight. Shit is progressin' little by little shit moves up. I got
"Gory Days" and "Gory Days" has got 12 months
value at least. That shit has only been out for 3 months so it's like
I got 9 to 10 more months to bombard it down people's throats. I'm
gonna be in California for 2 dates during the Warp Tour in July and
I'm gonna do the Smoke Out in October in California.
ThaFormula.com - So now that you're on your second album, how
are labels reacting to your new album and are you starting to get
calls from any labels interested in signing you?
Necro - Shit's going you know little by little. Some record labels is
hollering at me now and record labels never hollered at me like
"Yo
Necro!" Right now somebody who signed some big people is starting
to holla at me. I got meetings this week and shit and it's just like
you know I'm not trying to get signed as an artist. These muthafuckas
might see me out here and they might say alright boom look at this kid
Necro, he's doing it. But I ain't trying to get a little piece of shit
percentage of my shit. I ain't trying to have you own my shit. If
these guys fucking think that that's the way it's gonna go down they
gonna be in for a big fucking wake up call because I ain't getting
down like that. I ain't havin' people own my shit. I'd rather struggle
a little more.
ThaFormula.com - So did you shop the "Gory Days"
album around?
Necro - It's a pain in the ass, but I mean, let's put it this way, The
way I'm doing shit now has got these muthafuckas hollering at me. I
ain't shopping it to them. I didn't go to them. I didn't have a
muthafucka shop me to them. They going out of there way finding me,
coming to me so if you ain't gonna give me the deals that I'm looking
for, then it ain't gonna go down because there is just no other way
that I could be out. So it's like you know well see what happens.
Unless somebody is on some million-dollar crazy fucked up banana shit
and like I see that doing it will blow me up to a level where I can do
what I wanna do, stay the same but have promotion and get more fans
and would allow me to do, my, uh, see I got a big picture. My big
picture is not just today. I see myself being huge like Kiss. It's a
hard thing but I know I'm gonna get there because I know my
capabilities.
ThaFormula.com - How do you see your next album being handled?
Necro - I mean not only can I produce numerous people. I can produce
numerous people on my own label and not only that I can drop 100
albums if I got em. I got enough material and enough in my mind state
and enough yearning and wanting to drop shit that I'm not like a one
album man. I already dropped an album that's at least as good or if
not better then my first one in the eyes of a lot of people. I don't
got no sophomore jinx shit and it's like it ain't even about that. I'm
just gonna get iller and iller and iller. I'm gonna keep trying shit
and keep experimenting. I'll make 500 songs just to get a dope one if
I gotta. I'm down to work and make it happen. To me it's all a game
and shit. It's a game of fun, making a beat and figuring out what
lyrics fit it. Coming out with dope shit and if it don't work do
something else. It's never ending for me. The only thing is I want to
be able to make banging shit and also be able to release it and move
200,000 units at least of each album so I could sit on that 2 million
and make sure it's promoted to enough people so the cats that are ill
mentally, whether it's a 40 year old man who likes horror movies,
whether it's to you guys or this guy.
ThaFormula.com - I could see you writing some crazy movies.
Necro - I wanna make movies! Some Scorsese flicks, that's millions
too. I wanna be able to sit down for like 8 months and just write a
fucking screenplay to a crazy fucking flick. I can do that. I'll be
able to come up with some shit that's gonna mind blow people because
I'm like 50 times iller mentally now than I was when I made my first 2
movies. It's like I look at old shit that I did and I'm so much
better. Like my "Gory Days" shit is just on another level
and the shit that I did after this is gonna be even better then
"Gory Days" because "Gory Days" is like a warm up
to get me comfortable in the studio. I was never really fully
comfortable in the studio. Because your so busy and there is so many
different aspects to being an artist then there is live shows. There
was a time I wasn't really 100 percent on point with the live shows
like the way I am now. Everyday I get iller. I'm shocked at how some
people fall off and they get weak. I'm surprised how like certain
people drop dope shit and then they don't get better with their next
shit. How can you be dope today and then get weak after?
ThaFormula.com - We all have had that same conversation on how
the dopest MC or producer can just lose it so quickly...
Necro - I know why it happens, because muthafuckas stop doing it. It's
like if you do Karate and your a black belt and stop doing it for a
year you won't be as good. I'm not trying to fucking stop. I'm trying
to keep it rollng. I'm talkin' 10 years from now my hip-hop should not
be weak. It shouldn't be some shit where it's like "ah Necro is
trying to keep up with the new cats." I should be roasting
muthafuckas when I'm 35 because I should be so fucking ill like a
sensei. Sensei's don't get weaker. If your 25, by the time your 35,
you should be so much iller because you have 10 more years of learning
so why the fuck do muthafuckas become musically worse. I don't get it
and I ain't fallin' for it. I ain't fallin' for that shit. I make up
my own rules and I do shit my way and I know that if I'm slacking off,
it ain't because other people say I am, its because I'm doing
something wrong.
ThaFormula.com - Yeah, you would think they would realize what
made them dope, and just stick to it.
Necro - I think muthafuckas just don't put the energy they put into it
ten years before or 5 years before. It's just like that had a certain
vibe at that point and they don't go back to that vibe. You know how
hard is to just go back to that same exact vibe that you had when you
did that or at least equivalent in a new light and that's how I
observe myself. I don't even see myself being like that. Unless I
decide I don't wanna do it no more. If I decide I don't wanna do it no
more that means I don't wanna put hours into it, but I'm not even
close to done yet. I can make a whole album on science if I wanted to.
I eventually will. There is a lot of shit to do. The fucked up thing
is shit is 95 percent business. You gotta get business rollin'. It's
business and I got to have business handled. I got to be able to
distribute what I make. To me it's weak to make dope shit and not have
people hear it. What's the point? Not to have enough people hear it is
bad because there is people out there that would like it. But
not everybody can be in the underground scene listening to radio shows
everyday. But if you can get that shit to them they are gonna fucking
live it. So I got to get my shit to every market.
ThaFormula.com - Do you think that the lack of sales lately
from all the wack artists these major labels have signed is a reason
why majors are starting to look into the underground?
Necro - Honestly I don't feel there is anyone cutting edge right now
that's out there in the known world and I'll give you an example. I
look at the XXL magazine and it's gotten to the point where XXL has to
put Biggie on the cover. Think about that shit. They have to put
Biggie on the cover because they can't fucking put anybody dope on the
fucking cover. XXL right now as we speak should have Necro on the
fucking cover. I should be on the fucking cover gangsta the fuck out
in Brooklyn, New York. I mean Biggie, god bless the dead, Biggie was
awesome, he repped it, but I'm alive. I'm sittin' here in Brooklyn
right now alive with a bangin' ass album out and in all reality we
know I wouldn't be on the fucking cover, but lets's keep it reality
wise. I should be on the fucking cover, but they had to go back and
put somebody that's not even alive on the fucking cover to sell it
because they are all about money and they are not about the fucking
art. I
mean there has been numerous Biggie tributes, but the whole point is
hip-hop is that fucking stale that they cant even recognize. I mean
they won't even review my shit. Muthafuckas won't give me no light.
I'm a cat that's down to crack people in the face, which means I keep
it real. I ain't a cat that talks about shit and I don't actually do
it. I'm known to do it. I've been banned from clubs. It's just some
racial shit. Muthafuckas ain't trying to feel a white kid. There's no
winning, there is no way for a muthafucka like me to win until I
gather fans. I just got to get enough people that like me and its
done.
ThaFormula.com - Why do you think the ads in XXL didn't help
you get more sales?
Necro - I'll tell you why. Let me ask you a question now. When you
fucking look inside a magazine and you look through a magazine, name a
magazine that you read? Is there even any hip-hop magazine that you
read?
ThaFormula.com - Uh.
Necro - Yo, if you can't even name a magazine that you read, that
makes my point even more clear. Did you find out about me from seeing
a fucking picture in a ad.
ThaFormula.com - Nah, I heard a track from you a couple years
back.
Necro - How did you hear it? Did somebody play it for you?
ThaFormula.com - Yeah.
Necro - That's what fuckin' gets fans for me. That's what will get
fans for anyone in my position. But you see if they see a fuckin ad in
XXL with a white kids grill, they wont know I'm real. It's very hard
for people to find out. You're speaking to me now and you gotta know
I'm real and in all reality I know I'm real so I know you gotta feel
it ad the whole thing is if you chilled with me in New York you would
know I keep it real. But if you look at a picture you cant really
tell. I don't got a murderer or killer face. I mean the girls like my
face because I'm kind of cute. But the whole point is a picture in a
magazine is not ever enough to let people know "oh he's
ill," and XXL magazine and all these Source magazines, they won't
let me fucking print up an ad that describes what I'm about.
ThaFormula.com - What do you mean they won't let you, you're
paying for it?
Necro - They will deny the ad because they did. XXL wouldn't let me
put an ad for "I Need Drugs" in there with the words "I
Need Drugs." I had to write debut album. I mean some people
do ask when looking at the ad cause it's a white kid. The will
ask is he good, but in all reality they are not gonna go buy my shit
until they hear it. So think about it, why waste money on a magazine
ad when we go right to the source and let 'em hear it. That's the shit
I'm dealing with. It's a fucked up game, but it's a reality game. But
I ain't stoppin' and that's what makes me ill compared to a lot of
people. A lot of people just wanna stay in their little underground
circle. I've already surpassed the underground circle. That shit is
cool but 50 percent of those muthafuckas download your shit for free
and come up in your grill and shake your hand. That's reality. Meaning
if I'm losing 30,000 sales from downloading then I gotta do something
to get my 30,000 sales somewhere else.
ThaFormula.com - Now here is something I have wanted to talk
about for a minute. We have pretty much let the heads out there know
what goes on in the labels as far as politics go. Now we feel its time
to take them into the politics that goes on in magazines. What can you
tell us about what really goes on as far as what it takes to get your
shit on major magazines?
Necro - Oh, I can tell you beautiful things. Did you ever see my
"show n' prove in XXL?
ThaFormula.com - Yeah, I remember that.
Necro - You know what it took to get me in there?
ThaFormula.com - What was that man?
Necro - A pair of fuckin' sneakers. Not because I'm dope. Not because
I fucking get mad respect in the underground and my shit is extremely
brutal. That ain't the reason why I got up in there. I got up in there
'cause a muthafucka got a pair of sneakers. Recently, I had to buy
cocaine for this fuckin' writer to get me up in a big magazine. I'm
not gonna mention it, but he got fired from there anyway. But fuckin'
I had to buy him cocaine. This is the shit man and this is what goes
down with these roaches.
ThaFormula.com - It's funny I used to think back in the day
that the labels were bad, but the more I looked into it the more I
started to realize that the magazines might be even worse.
Necro - Of course the magazines are worse. You gotta understand man.
Lets say some cat is working at the magazine. My name is Joe Bob or
whatever. Joe Bob, he works at the fuckin' magazine. He thinks he's a
hip-hop kid. He works and he gets paid shit, this kid is livin' at his
mother's house or maybe in his apartment. Dude don't get a lot of
money. He gets handed mad shit to go in magazines. Certain cats hand
him a fucking "G." Certain cats buy him sneakers. Certain
cats give him 100 or 200 bucks. This guy needs shit. If he puts you in
his magazine for nothin' he ain't really getting nothin'. So the whole
thing is these cats want shit. Now sometimes they will put you in for
nothing because its their job, but they also gonna put cats before you
if they are gonna get laced with a "G" because they might
only be getting $200 a week and they need it. Sometimes it's not even
political, its just straight up logic. Let's say you were strugglin'
and I wanted you to put me on ThaFormula, say ThaFormula was like the
biggest fuckin' site ever and I was like, "Yo, I need to get on
ThaFormula!", and you were like "nah kid, I ain't really
feelin' you." But I was like "you havin' problems playin
your rent?" You would be like "yeah, why?" "Well
you know I'll give you a "G" right now yo, just give me a
review." Come on man, you would be an idiot not to give me a
review. Even if you are 100 percent honest which I probably would be.
Still you would think in your head, hmm that "G" could help
me pay my rent and help me upgrade my site and make it a little
better. So this is what goes on and I'm learning little by little that
it's not even shady.
ThaFormula.com - It just happens on the regular, and is
expected...
Necro - Yeah, It's business and that's all it is. It's like the
business is built to say "hey Necro your doing really good, let's
sign you and were gonna give you 10 percent, and were gonna keep 90
percent, and we're gonna make you so fucking big that you have to
recoup all the money, but we're gonna take off the top 90
percent." "So if we make 2 million and we spend 1 million.
Lets say we spend 1 million to help you make 10 million, we're
gonna take 90 percent which means were gonna take 9 million off the
top and recoup that 1 million. You'll make fucking ZERO!!" That's
why you have to be smart enough to say "you know something fuck
that!" It's business. It's all negotiating. I remember going to
Fat Beats when I did my EP and I was a shmuck back them. This was '98
man. The dude took 50 percent and shit and he didn't really tell me 20
percent and this is a cat I was supposed to be friends with, but what
happens man if your ignorant, muthafuckas will take advantage and you
learn and you get mad. I never got mad at that dude. It was just
funny, like alright you got over on me. When I learned how he got over
on me I was just happy that I learned to the point where I could have
bludgeoned that kid and make sure that he never put another record out
again but that just part of the game man.
ThaFormula.com - So once again that's just how the game goes
right?
Necro - Yeah man. It's like at the end of the day I start peepin' shit
and it's like I would never be like a lot of these scumbags, but in
certain ways sometimes you have to be because you look at everybody as
scum bags but you don't realize all the work that they did to get to
that level that made them a scumbag. Being a scum bag is not cool and
its nothin I support and its nothing I got respect for, but I mean
this is the way it is for people because they get bitter and they feel
like "hey your nothing and you expect me with me with all my
props and all the ten years that I put in to give you half because
your a dope rapper." The thing is you have to be smart enough,
today I know what I'm worth. Even if you didn't pay a million dues
yet, you have to be smart enough and kids don't got intelligence and
it ain't their fault because I didn't have fucking intelligence, but
I'm willin' to school people. I help kids all day. I get emailed by
muthafuckas day and fucking night askin' for advice, and I never front
because I was lucky enough to get advice from cats like Master P, Cash
Money, and Wendy Day. The biggest people shared advice with me and
hooked me up so you know how can I front on the new jacks and up and
comers. It's a cycle, but if you notice not enough people give people
jewels because in all reality to keep power you have to keep your
secrets, but I feel like you know fuck it man. Cats that read this
interview right now, they're gonna get jewels because a lot of cats
don't know this shit and I'm just droppin' experience. I'm gonna have
another year of experience a year from now or next time I get
interviewed by you guys or anybody else.
ThaFormula.com
- What went wrong with the Non Phixion project way back then?
Necro - The problem with them is that they were trying to be artists
instead of taking control of their destiny. I was tellin' them
for a longtime. I'm the type of cat that can read people.
I know what's on everybody's fucking mind because I can read
people's reactions, and you know they're not the best at that just
like I'm not the best at talkin' to people. I always told them
"ah that guys a scumbag." MC Serch is a scumbag, don't
fuck with that guy. I can talk to these muthafuckas one fuckin'
time on the phone and just hear the way they speak and what their
plans were for my brothers shit. For people that don't know, Ill
Bill from Non-Phixion is my brother and fuckin', I just kept tellin
him but he had this dream of wanting to be signed and I believe his
dream, cause his dream is my dream, but I kind of realized that being
independent is the move.
ThaFormula.com - What went wrong with you and Search?
Necro - Search was shady, Serch robbed them. Serch fuckin' got a
budget of a certain amount of money and bought a fucking house with
it. Serch fucking put money into the studio and instead of
keeping the money, he ended up getting the label pissed at him cause
he spent to much money on bullshit and fucked up the deal and he took
to long to get the album done and he was just a fuck face. He
did the same thing to Nas, he did the same thing to O.C. and he fucked
over everyone he has ever worked with and that's why he has bad karma.
When you fuck people over, your karma comes back. I've
never fucked anybody over. When I was 17, 18 I used to rob people.
I used to rob ladies, pocketbooks. I used to rob kicks, I
used to rob places. I used to insult women, I used to be very
degrading to women. I'm very degrading on record now, but I used
to be actually verbally degrading when I spoke to a woman
because I didn't know how to speak to a woman 'till I learned how to
speak to a woman, because my father was very degrading to women when I
was a kid so I didn't know any better. I was so foul and I had bad
karma for years which is why I haven't blown up yet. I was paying for
karma for so many fuckin' years for doing foul shit. Serch ain't doing
no good business right now. He ain't poppin. People ain't
checkin' for him. If I was him with the connections that
muthafucka has... The fact that he knows Lyor Cohen. You know
what I would be doing with Lyor Cohen if I could meet with that cat.
We talkin' about a cat who's got connections up the ass.
Why the fuck did Non-Phixion not blowup? Non-Phixion would
have been out before Eminem, even though they wouldn't have been
commercial they still would have been able to tap into that Limp
Bizkit market. They would have definitely fuckin' went gold.
They would have been out and in the world. But a lot of
muthafuckas are greedy cock sucka muthafuckas.
ThaFormula.com - Yeah, you know we actually did a little thing
with Serch and he seemed like a real cool guy?
Necro - Yeah, everybody seems cool until somebody pulls their fuckin'
card. Let me tell you something, ain't nobody pullin' my card.
Nobody got nuthin' on me. Ain't nobody can really talk about me
because I always kept it real. Nobody could pull Ill Bill's
card. We done kept it real. Any kid in the projects will
tell you, we was the only cats that fought everybody. We fought
ten kids at once so it was just like guys like Serch. He came
from a time where he has a lot of respect and you know he earned
respect for a lot of shit he did. But he didn't treat his
artists right. He didn't do right by people. He's the reason why
I'm not in Non-Phixion. I was in Non-Phixion before search came
in the picture. I'm gonna keep it real with you, the second I
met Serch the first time, I knew he was a snake. Because we were in
the car with him and this is why I wasn't in the group. He was
like, I wanna make some shit that Raekwon the Chef likes and
blah,blah,blah likes. At that time I was a young thug. I
still am but now you gotta be a man, you can't be a little kid.
Back then I was a little kid. I said "fuck that, I
don't wanna make shit for other people, I wanna make dope shit that we
like," and he didn't like that. Because I looked at it like
"why you gonna try and make music for Raekwon to like?"
Make some dope shit from your heart that you like. I just
looked at it like this muthafucka didn't know what the hell he was
talkin' about, and don't forget, he was kind of weak at that time.
So it was like my brother and Gortex, they were like the fuckin'
back bone. They were the ones that was keepin' him dope.
They kept him on his fuckin' toes. My brother was helpin'
him with his rhymes. If he didn't ruin that deal and put
Non-Phixion out, he would have did good. Why did he fuck that
up? Why did he fuck himself? I'm the only cat that Serch could
never fuck over. I had him so mad that he was callin' my lawyer up
screamin' up because he tried to get over on me and was trying to get
a beat for cheaper. Like 2g's cheaper and I wouldn't budge and I knew
he needed the beat and I was playing negotiation games with him and he
hates when people fucking get him in a negotiation game. It's just
like, I don't got time for people like that. People that don't
respect you. It's like they don't have respect for the game and
just wanna rob everybody in the game. If your gonna play the
game, play it fair.
ThaFormula.com - So was the Non-Phixion album actually ready to
drop?
Necro - Yeah, I mean there was joints man, bangaz. The beat from
"Underground" from my "I Need Drugs" album was a
Non-Phixion beat. I made it for them and them cats rhymed over
it and had a track. Non-Phixion were wronged by duke and I'm
gonna keep it real. I ain't worried about nobody.
ThaFormula.com - What type of ads did you run on XXL?
Necro - I took out double pages for 2 issues and one ran for 2 months
and I did one page.
ThaFormula.com - How much is it to run something like that man?
Necro - It cost me 11,000 dollars for each one.
ThaFormula.com - What do you think people's reaction will be to
the Non-Phixion album?
Necro - Well, I can say one thing, whenever I do beats on anything
people love it. I never had a beat where people said it was
weak, so I know that people is gonna love the shit that I did. I
can't speak on what people are gonna think about other shit but I can
say Non-Phixion has never had Primo, Large Professor, and Pete Rock on
the same album. I don't think they been on the same album since
Illmatic. So you know that's a treat right there just to people
to be able to put on a jam and get some phat Necro shit and bang it
with Pete Rock, Large Professor, and Primo. All 3 of them cats
to me is influences. Cats that were fuckin' ill when I was
comin' up. When I was learning my craft I would listen to their
shit and love it. And all 3 of them cats respect me without me even
mentioning my name when they was in the studio, all them cats asked,
"yo what's up with Necro?" So like to me that's
awesome because those are 3 cats that I definitely got love for
beatwise. I always loved everything they put out and I didn't
get up on Primo now. I was bumpin' Primo with "Step Into
the Arena." The first time "Manifest" came on T.V.
I remember tellin' my brother "ayo, some group named Gangstarr
came that was pretty ill." Back then it was ill, it was
different but it really blew my mind when "Step Into the
Arena" came out. It was jus ridiculous. The
programming, the drums, you know the whole shit was just nuts. I
mean shit, Q-Tip was bananas back then. All the early fuckin
Quest shit was nuts. Main Source was bananas. I mean all
the shit the Large Professor did for Kool G Rap and Rakim. "Let
the Rhythm Hit Em!" Bangin Shit!
ThaFormula.com - With the type of shit you rhyme about and your
style of beats, can you honestly ever see your stuff on the radio?
Necro - As far as mainstream, why not? It's all money man.
If there's enough radio promotion money behind me and I got a
radio promoter and I make a track. You can take my "Bury
you with Satan" track. Clean out all the things, take out
anything that might be to vile and just clean it up and it would sill
be pure brutality. I could make a version that would be ill enough to
be played on radio but you gotta analyze it. I'm a product, I
love making hip-hop. I love hip-hop from the heart. I'll
die for it, I sacrifice everyday for it. There's nothing I like
more then hip-hop and I feel oppressed. I gotta deal with mad
people who just don't believe in me and it's like fuck you. But
once I beat down the brick walls that are in front of me, yeah I'm
gonna be fucking huge. That's the funny thing about it.
All the people that front on me are playing themselves because
I'm gonna have the last laugh because I'm genuine to hip-hop. A
lot of these people are not genuine to hip-hop. They can't rhyme
dope, they never been on radio shows and freestyled, they never had
fans or showed loved to their fans. They never made beats for
people. There just copiers. Like Jay -Z, I got respect for
him. I remember the first time Jay-Z was on the radio. On
Bobbito and Stretch rhymin' with Big L. I know him like that.
I remember when he was in the Original Flavor video. The
point meaning I'm not caught up in the bullshit. I put myself on
the same level as a Jay-Z. Only thing is his business is handled
fucking impeccably. I mean the guy is down with Dame Dash.
Dame Dash is godly. His mentality is godly. He's fucking
dope mentally as a business man. There all dope. Jay-Z is a dope
rapper. I remember hearing Mase rhymin' fuckin' murder shit when he
was Murder Mase. He was down with a crew called 8 is Enough.
It was hot. Camron was hot. They were all dope. I
felt it. Yo, I go back man. I used to pick up the Source and look at
the Unsigned Hype and say I should be on there and this was when Mobb
Deep was on there man. But it wasn't gonna happen because I was
a white kid. It just wasn't happening back then. They were
not putting no white kid in there, plus my business wasn't being
handled. I didn't have a manager who had connections, but I was
rhymin' like everybody else was rhymin.' I was in school rhymin'
getting loved rockin' Fila shirts. I remember when I was like 15
or 16 entering a battle. I walked out with a Charles Manson
shirt and I got booed. It was like 80 percent black cats.
They just booed me before I even rhymed. I actually
battled dude and kept rhymin' and shit and the guy ended up comin' at
me and shit and gave me props. I lost the battle because I got
booed, but I was so sick in the head I was warped. A guy told me
before we walked on, he was like you can't go on there with a Manson
shirt and he gave me a DMC shirt to put over it. I said fuck,
shit, I wanna wear my Manson shirt and ended up right before I went on
taking off the DMC shirt because I was so fucked up in my head coming
from such a fucked up mentality with my hip-hop that I felt like I was
gonna get over by rockin' the Manson shirt. Little did I even
realize man that Manson was a fucking racist. I was such a young
stupid muthafucka that I didn't even realize that he was on some
bullshit Nazi shit which I don't support, but it's like this is how
sick I was. I was a young fuckin' you know banana crazy kid. So
I don't look at these people that are out now and they're not my
influences. I'm influenced by the same muthafuckas that guys
like Mobb Deep and them are. Rakim, Krs-1, Big Daddy Kane, G
Rap.
ThaFormula.com - What would you consider your ultimate
collaboration?
Necro - I was thinkin' about that yesterday. The ultimate
fucking collabo would be Necro, Ozzy Osbourne, and Gene Simmons.
And I would be doing straight hip-hop on the track. I'd be
rhymin' but I'd have them do some crazy hook shit, talk some caca
cause Gene Simmons is a bundle of fucking caca talk. Shout out to Gene
Simmons. I would also love to work with Ice-T. The people
I would work with are more obscure.
ThaFormula.com - I never thought about that man. Ice-T
rhymin over your production would be some crazy shit.
Necro - I wanna work with the legends. I wanna work with G Rap.
I don't care about these new muthafuckas. .
ThaFormula.com - I like the fact that a lot of the dope
producers are starting to bring back the classic MC's like Kane, G
Rap, etc.
Necro - I mean I love them cats, but at the same time I feel like I'm
at their level. I got mad love for them. I would never wanna get
into a beef with a LL Cool J. I would avoid it because there is
just too much respect for these people. When I was a little peon
10 or 11 years old, they were the fuckin' shit and it was iller back
then. It was not like the way it is now. When Big Daddy
Kane walked around with Gold and bitches, it wasn't like if some cat
did that now. Back then it was genuinely godly. That's why
I gotta do my own thing, but don't try to be like '88 rap. Do
your 2002 shit but make it so genuinely incredible because you can't
be somebody. You could worship them and respect them but you gotta be
yourself. When Big Daddy Kane came out he wasn't trying to be
like cats in 1978. He was the next level. When Rakim came
out he wasn't rhymin' like Melle Mel. He was probably influenced
by Melle Mel, but he took it to a whole new level. A lot of these cats
out there ain't bringing shit to the game. I ain't gonna mention
names, but a lot of these cats that be all up on the old schools dick,
uh, see I got respect for the old school on some "I respect you
and I would like to do a track with you on my beat and let's do some
next level brand new shit." Like the way G Rap will get on
a Mobb Deep beat and rip it. He rips it like a brand new cat and he
shreds it to the point where ain't nobody fucking with it. Ain't
no young buck fuckin' with it.
ThaFormula.com - Why do you think a young producer like
Alchemist blew up so quickly?
Necro - He does a lot of shit for other people. I done a lot of
shit to but at the same time Alchemist is not a rapper so he has more
time to concentrate strictly on beats. I've probably made almost
as many dope bangin' beats as he has if you combine Non-Phixion, Cage,
my shit and that, but he's worked with people that are so much bigger
than me and the people I've worked with. He's worked with the
heavy hitters and he's dope. I like the shit he did on Mobb
Deep's album "Murda Musik" and I like many things that he's
done. He's handling his biz and he happens to be Israeli like me to
from what I heard. Bear in mind that he's also down with a cat
like Muggs and Muggs is a cat who is a multi-platinum cat who opened
up a lot of doors. In this game you got to know people.
It's business and political.
ThaFormula.com - Are you gonna be droppin' a "Gory
Days" instrumental LP?
Necro - Yeah, I'm gonna make that happen and I'm gonna do a Necro
Instrumentals one too. Necro Instrumentals Vol. 1. It's
all coming together. I dropped "Gory Days" and it's
with Select O Hits and they don't really put that much energy behind
me because I'm not selling enough records. I fucked up a lot
with half the money. The P.R. never happened. I hired
fuckin' Michael Jacksons' P.R. and they fucked me. Suzzanne
Blonde. Don't ever fucking go to Suzanne Blonde, they are the fucking
worst. They are the worst company ever because after 2 months
they were telling me everybody said no, and I was paying them 8g's.
I ended up getting my money back.
ThaFormula.com - How have your sales been in L.A.?
Necro - My best is New York and then fucking L.A. and then Chicago.
Those are the biggest markets for everybody really, but those
are my biggest markets as well. I'm also opening up my new site.
I plan on my new site to make me G'z. It's a porn site.
I got a big customer base that I built up in the last 2 years so
that's gonna make me money to promote and I'm gonna be bubblin'.
I'm the type of cat that shit's gotta keep getting better and
better and better. I'm independent man. I'm like Cash
Money and Master P at the beginning stages but a little worse off
because I produce all my shit, I rap all my shit and I run everything.
If you look at Cash Money, Baby and Slim. They never
produced a track in their life. They never have to worry about the
time and energy producing a track. Manny Fresh, he don't rap, all he
has to do is make beats. See it's very easy for a cats to do one
thing. All they do is rap or all they do is business like Dame
Dash, he don't rap or produce. Master P, he don't produce and
the shit that he raps about is pretty simple as compared o the multi
syllabic shit I got to come up with and I raised the bar I feel for
like my genre for the shit that I do to the point where if I come weak
on a track and I don't put in the energy, people will be annoyed.
I can't come and drop a rhyme like P does cause cats will be
like Necro is buggin'. That's how people are. Most people
they ain't really into this shit. You wanna be a boxer, you gotta
fucking be a boxer. You can't be no halfway boxer. You got
to fucking train. Shit's real. You wanna be a hip-hop
artist, you gotta do this shit 24/7. You can't just blow up like
Destiny's Child and just be some dumb shit. I always hoped that
there would have been that big cat that was huge who would put me
under their wing and I would get to come out through their props and
do my thing and blow up, but it didn't happen like that. But God
said "I'm gonna put you through hell because your cause is to be
the main man who takes all these other ill cats and helps them."
I guess I was chosen. It don't make me a big special
muthafucka, but it's kind of an honor and at the same time. I got to
go through a lot of hell. A lot of stress, but there is also a
lot of knowledge and jewels that comes with it and a lot of good
things I will be able to do for people. Just like dropping
brutal raps. Dropping an album about fucking murdering people,
I'm actually fucking helping some of these kids out here. Some
of these kids who's brains are destroyed and need some brutal music to
let out their aggression. I help those muthafuckaz and I help
myself.
ThaFormula.com - So what do you think you would be doing now if
you weren't doing hip-hop?
Necro - Honestly if I wasn't doing this right now, I would probably
have killed somebody already. I would probably be in jail.
Definitely, probably be in jail from all the anger I have in me,
I probably definitely would have killed somebody and been locked up or
I would have been a gangster or some shit if I didn't have hip-hop. I
used to sell weed and acid and shit like that and I started talkin' to
people and tellin' them I wanna start sellin' coke, but they were like
"nah nah man, you should concentrate more on your hip hop,"
and I was like true, because I love hip-hop more anyway. Imagine
if I didn't have hip-hop. I might be locked up now for 25 years
for sellin' a kilo or some shit.
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