"I finished this album and we went to mastering and in the mastering
session I'm listening to this album with the Mastering Engineer
Steve, and a couple of other upper echelon cats, were listening to
this album like "man this is gonna be the first underground
album in a long time to sell a million copies." We are
listening to it like "this shit is that good." We come out
the gate, we do 13,000 records and were like "what the fuck is
going on?" There is a lot missing in Hip-Hop right now."
thaFormula.com
- For those artists with dreams of being a "rap
superstar", what does it take in your mind?
Pharoahe
Monch - For the most part it definitely starts with the artist
themselves and their integrity and outlook and their vision.
Then from there, from my standpoint it takes a great team to
launch that artist to the standpoint that he or she becomes a
rap superstar. Then there are different definitions of what that
is. For me there are a whole lot of rap superstars that don't
garner the same sales of say like a 50 Cent, and we all know
that 50 Cent is a rap superstar but I view like a J Dilla in
that same vein in my mind. Someone who is self sufficient
financially in doing production, but you know just one of the
all time greats to me, but you know may not be superstar status
in terms of his notoriety on a mainstream level. So it depends
on what type of status you are talking about, because to me I
think J. Dilla's career is gonna span many centuries. Even
though he has passed, the music is just so timeless and just so
heartfelt that it has nothing to do with the video or being on
the radio or being number one or none of that. Its like
"Fuck the Police" comes on in the club and it's just a
bigger reaction than your number one million selling single ever
was. So what do you say? But going back to from a commercial
standpoint, you know you definitely need all the things in place
you know. Biggie Smalls and Tupac Shakur had it in their heart
and in their destiny but they definitely surrounded themselves
with great producers and great managers that helped them to get
to that point.
thaFormula.com
- Some people feel that certain artists were meant to do this
and certain artists were not, do you feel that an artist either
has "it" or they don't and can "it"
eventually be attained or is "it" something that you
are just naturally born with?
Pharoahe
Monch - I think an artist can eventually get "it" if he works hard
enough and he has an open mind to understand what "it"
is. There
has been so many artists who have developed themselves over the
years and a true artist and that's how you can point them out,
is never really satisfied with the last thing that they did and
you keep growing. Like I remember like 4 years ago I was at a
birthday party for Prince, not Prince Po but Prince the artist.
Common was there and I was like "yo what's up? What you
working on?" and he was like "yo right now I'm just
working on trying to get better and increase my skill
level." I'm just like what!? I understood what he meant but
you know artists are never really satisfied where they are at
and are always trying to get better or challenge yourself in a
certain area and shit. So you look at like a Lil' Wayne who is
in a very controversial position because he is getting a lot of
props. For me Lil' Wayne might be controversial because people
are saying in the mainstream that he is the best or whatever. He
is definitely an artist who improved over the years and he sold
records in the beginning and he didn't have to become better,
but it is very obvious that he is better then he was and I give
him a lot of props for that because that's what artists do and
that's what Hip-Hop is about. It's about pushing the envelope to
get better. He knows he has improved and the people have felt he
has improved since his beginning and that's a big accomplishment
because when you come out and you don't sell records then there
is a reason to try and get better. You come out and you do sell
records it's so easy for you to get lazy. So getting back to
your question, "it" can be attained if you don't have
"it" in the beginning through a lot of different
measures. By discovering what your voice is, what your sound is
and possibly getting with a producer who can take you like say a
Kanye West, Dr Dre or Jay Dee possesses the ability to take an
artist and be like "this is what I think your strong points
are and you need to focus on that and I'm gonna produce around
that" and that strengthens you in itself. You know you
discover what your lane is and you kind of master your lane. I
think that's how you can obtain that stardom or become better in
yourself and you can be like well this guy definitely has
"it" when it comes to that. There is so many different
elements to that. It's not Black and White, it's layered. From
Supernatural to Nas. Nas is obviously a writer, a master of his
craft. Supernat is obviously so comfortable in his element in
what he does. Supernat has asked me to produce songs for him.
How I would approach producing for Supernat is different then
how I would approach producing for Nas. Its two different
things. I want him to still be comfortable in his element, but I
know he needs to come from the live element to the recorded
element and master that in order for people on that level to see
that he has "it".
thaFormula.com
- The thing is when you see him on stage doing what he does, you
can see that he has "it"...
Pharoahe
Monch - Definitely and I've been studying on this tour because
he asked me to produce some songs for him and that's all I've
been studying. I was like "I could give you a beat, but
that's not what a producer would do." A producer wants to
make people understand how good you are and that's what I've
been studying so I welcome the challenge and I can't wait to
work with him. We worked before in the past but what we are
about to do in the future I think is really gonna fucking blow
peoples minds and shit.
thaFormula.com
- Now that the delays have passed and you finally dropped your
album, what have you seen the past few weeks in this industry
that maybe you didn't expect. What surprises, disappointments,
etc. have you faced since the album dropped?
Pharoahe
Monch - Oh man! I finished this album and we went to mastering
and in the mastering session I'm listening to this album with
the Mastering Engineer Steve, and a couple of other upper
echelon cats, were listening to this album like "man this
is gonna be the first underground album in a long time to sell a
million copies." We are listening to it like "this
shit is that good." We come out the gate, we do 13,000
records and were like "what the fuck is going on?"
There is a lot missing in Hip-Hop right now. Even on the Rock
the Bells tour, in New York I performed on a weekend for 80,000
people. 40,000 people on Saturday and another 40,000 on Sunday,
but on some of the dates throughout the country you know the
crowds have been a little disappointing and I'm like Wu Tang,
Nas, Black Star, Immortal Technique, Pharoahe Monch, The Roots
and I'm just like "what the fuck!" So what is that?
Its not just pinpointing it to Pharoahe, it's pinpointing that
shit to an issue where radio and industry has fucked up the game
more then we think they fucked up the game in a lot of different
ways. Like people are watching my show like "oh shit I
don't believe this guy is putting on a show." They don't
even believe that artists can perform anymore and you could tell
they are looking at the show like that because they come up to
me after the show and say "yo that shit was
incredible." They are just used to what they are being
promoted, which is Hip-Hop that has a lack of culture in terms
of artists that are in that shit for the money. The got love for
Hip-Hop because it's a way to make money. They don't have the
love for the art aspect, for the video aspect, for the dance
aspect, for the DJ aspect. Its really bullshit in a lot of
senses and that doesn't go for everybody but for what they are
promoting as mainstream Hip-Hop, it's really bullshit and it's
passé. Even some of the records that are good, they are here
today and they are gone tomorrow so what that means to the
audience is, you don't really care about me. I like it because
they are playing it in the club, but as an artist, you have no
love for me so we have no love for you and the new generation
thinks that that's how it is consistently throughout the
culture. When you have an artist like Nas that's on stage and
I'm watching his show because I haven't seen him perform and
he's really putting it in and I'm like "wow," here is
a dude who is putting it down and even like on his level, his
sales doesn't reflect how good the records are as compared to a
lot of other artists that you consider at his level. It's really
bugged right now. So my thing is to brand my name Pharoahe
Monch, to do songs like "Guns Drawn," do songs like
"Let's Go," work with people like Black Milk and to
show people that when it comes to a certain brand of Hip-Hop,
there is only like a handful of artists that would even approach
a song that way, which helps me to brand my name so at the end
of the day if your a consumer of Hip-Hop and your an artist of
Hip-Hop, if I cap off at 75,000 worldwide then I can franchise
myself that way and people can see the show and buy into that. I
know that we haven't capitalized marketing wise but I'm really
happy and I'm really good.
Pharoahe
Monch @Thaformula.Com/33Third Los Angeles Aug. 15th
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