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Hip Hop
Q & A W/ street villains part 1: necro
feedback: info@thaformula.com
2004

ThaFormula.com - I got to say that "Brutality" sampler is nice and that "White Slavery" track is bangin' man...

Necro - Yeah no doubt but a lot of people are sleepin'. I send shit to the press and they just ain't showin' no love. I think cats are so wack right now that they ain't even listening. They're getting' the shit and they ain't even playin' it. They're just seeing my name and are like. "oh that's hardcore shit so fuck that guy!" Shit is wack right now! Shit is real weird right now. The game is on some other shit. It's really switched.

ThaFormula.com - The last time we spoke things were better. They weren't great but some things were still good right?

Necro - Really it was better actually. It wasn't that it was dope, it just gets worse in my eyes. It don't get worse on my end in my opinion but it gets worse in the way that there is no Hip-Hop press really. You can get more press on-line then in magazines you know?

ThaFormula.com - I hear you man...

Necro - The game is gay right now. It's full of soft faggots that all rap pussy shit and Hip-Hop ain't really street no more. What's street right now is Chingy. Then you got underground shit but people can't get no love cause it's so small. So you might be up on it, I might be up on it but it's not the perception of Hip-Hop across the world. Don't get me wrong I mean you got your 50 Cent blowin' up and blah, blah, blah, but the way music is supposed to be there shouldn't be only 2 or 3 people blowin' up and nobody else, unless nobody else is hot. The fact is there are people that are actually legitimately just as bangin' in the culture.

ThaFormula.com - What's the response to the mix CD, 'cause that shit is very nice?

Necro - I feel people are lost. I listen to my mix CD and I think it's bangin'. Like I rapped over the "Forgot About Dre" beat. I never heard nobody flip it on that beat before. If you listen to the shit you'll see I'm comin' very brutal on it and I kind of flipped it the same way they did except that I kind of did my own style. In Hip-Hop usually if you do something like that along the lines where something that's really praised and then you take the beat and flip it and you do it on some mix CD shit you get props for it, I ain't really getting' no daps for that. There's really no love. I feel like the game uh, the percentage of love decreases. It's like there might be the few heads that are up on shit that like it. But I don't know man it's weird. I mean I give my shit to everybody. I make sure every human being gets it that matters and that's supposed to get it and I don't get the feedback. So I wonder are these people totally sleepin'? Are they getting' that much shit? 'Cause then the game ain't even real then and the game is about bribes then. If you're gettin' like a hundred things and you don't know already that the Necro shit is probably gonna be one of the hardest things your getting', and you don't peep it then already I think the game is fucked up, 'cause my shit should stand out amongst your average rapper. It comes down to the ego shit. I think I'm incredible and this guy thinks he's incredible and really at the end of the day if everybody thinks they are incredible it comes down to what the writer likes. I think most of these writers and people in the press, you know they are the media. You're the media but you're quicker to fuckin' show love to all colors. The media right now is very fuckin' shady. You don't see no Latinos and no White kids really getting' proper respect. You see a few here and there but it's like the game is not really real to me. It's not the reality of life when I stand in front of somebody. It's some fabricated shit that some people in their mind want it to be. It just seems like people are on some fuckin'…like "it's my shit, fuck you!" It's like yo, really I was rappin' before a lot of people that think I shouldn't be rappin' because I'm White. I was doing it before them. Just 'cause a certain person creates the culture, I mean people have this certain mentality that just 'cause you're born into a certain race you own fuckin' Hip-Hop. Maybe Afrika Bambatta owns it and Kool Herc owns it, but not anybody whose black and just woke up yesterday. To be down with it you gotta pay dues. You gotta be lyrically dope. You gotta fuckin' earn it. You gotta fuckin' demonstrate skill and it don't seem like its like that no more. You don't get credited for that no more.

ThaFormula.com - When do you think Hip-Hop turned into what it is now?

Necro - See if you analyze it, look at Hip-Hop. In the 80's it was real simple. It was Melle Mel simplistic simple simon shit and then it turned futuristic by '88, '90. I mean shit was very futuristic with Rakim, Kane and then in '93 and '94 shit stepped up a little bit more. It got as futuristic as it could get with Wu-Tang, Nas and whoever the fuck. But like Hip-Hop got very futuristic in '94 and '95 as far as it could get with the Kool Keith's and whatever. But now 10 years later in 2003 Hip-Hop ain't advancing anymore. Now it stopped. The advance in 2000 would be where a cat like me right now in 2003 could get fuckin' respect. Where Non-Phixion could get respect, where a Latino doesn't get observed as fuckin' Gerardo. He's respected 'cause he's from Bushwick. People look at Eminem and think the doors are open, but the door is shut closed. The second Eminem blew up everybody is holdin' the culture now. All Blacks have the culture tight now. They are worried that white people are gonna steal it. My whole point is you don't even gotta be from a Black ghetto or Spanish ghetto to be hot, you just got to be hungry. You're gonna tell me there ain't no Spanish kids that are hungry? Nah man, it's bullshit! People just don't wanna see White's and Blacks, and Puerto Ricans on. What happens is the game is run by Whites and Blacks who mostly wanna sell image. Hip-Hop is all about image now. It's not about the art like it was back in the day. You have the people who are trying to keep it alive and keep break dancing and stuff like that, but all you see is people like Missy trying to fuckin' milk and I'm not saying anything against her 'cause she's an artist doing what she does.

ThaFormula.com - I do man cause I can't stand her and what she's doing...

Necro - But I'm looking at her from a different perspective cause I don't really hate on successful people. I try to analyze it as instead of hating Missy, I hate more the real people who do breakdancing who are to wack to learn business. Who are to fuckin' lazy not to learn business so they can be the ones in the business offices making it happen. See too many people who are creative blame the fact that all these smart people who don't do creative shit are fucking it up. Na, the trick now is to be the creative and the smart person then you will be able to bring your creative shit to the business. You can do both. But most people don't wanna handle business. They've been brainwashed. You have to understand we're brainwashed in school. Nobody teaches people about money. So it's people who learned how to make money who don't know how to rap who are runnin' rap and it's people who know how to rap that don't know how to make money that are being pimped.

ThaFormula.com - Since the last time we spoke how are things going with you?

Necro - Things are improvin' on my end in a level where I'm building. I'm shipping more units of my new record then I did last time. I'm learning the business. I see my mistakes. I'm multiplying, I'm droppin' a porn now. So now I'm getting into another business that's gonna make me money where I sell to a hundred stores and 20 distributors now for Hip-Hop. So if I can fuckin' do that with my porn, I'll start movin' you know for every ten bucks I make I'll start makin' 20. The more money I make, the more I'll be able to drop my shit. I feel I'm a real advocate for real Hip-Hop from the perspective of I feel I'm more hated then anybody. A guy like Mos Def will talk all day how he's an advocate for real Hip-Hop, but Mos Def don't get hated on. He gets played by all DJ's. He's on some positive Black shit so he's looked at as Malcolm X and he's considered the poster boy for the real Hip-Hop head. He don't have no fucking struggle, that kid didn't grow up in the ghetto. He claims he's from the projects but my whole point is he never sold drugs, he never dealt with the shit I dealt with.

ThaFormula.com - Yeah but that kid sold out a long time ago man...

Necro - Whether he sold out or not, to the world he's still considered cutting edge. But is that how you look at it though? You look at it as he's sellin' out? 'Cause I think people are gonna look at me as sellin' out when I blow up.

ThaFormula.com - Nah I look at him like that cause he continues to blow up off of wack music. Now if he was doing the type of tracks that he did on "Black on Both Sides" it would be cool but the quality of his music now is just terrible…

Necro - Well I never liked his shit anyway so it don't matter cause I felt he was racist. I feel he's very quick to diss a White person and my mentality is, see you gotta understand I'm white so imagine if you being Latino everybody hated Latino. You're Latino man, are you supposed to switch your shit and be like everybody hates Latino's so I hate myself? Its like yo, I'm fuckin White and your shittin' on White people. I mean I been in the gutter with Black kids. You know muthafuckers getting' into razor fights, walkin' up in parks with gats. I been through all that and you straight up shittin' on me cause I feel people are ignorant? You should be smart enough to make it clear you ain't talkin' about real White cats if your gonna diss White people. But it seems people are very quick to just diss a whole culture. I can't diss black people. Imagine if I fuckin' dissed all the corny Black people in the music industry? Wouldn't I have to differentiate? Even if I dissed them, there would be a problem. People would be very mad. If I was like, "fuck all the blacks in the music industry, not all the ones in the Street," people would be like WHAT?! It's very quick for Black people to be like. "fuckin' crackers!" There's no respect for any White kid or any White person that ever did anything for the game. It's like you cannot fucking compare a White person that is pro Hip-Hop, that has helped it and put them in the same fucking boat as somebody who you consider George Bush. That's fucked up! That shit is racism and people don't recognize. It's like, "nah fuck you!" They're mentality is like, "fuck you like your sheep." Your gonna be the scapegoat like, "yeah we're sorry that your a White kid that reps it, but fuck you anyway cause we been through so much shit." It's bullshit and my whole thing is I feel I'm not the only one involved in this cause I feel Latinos are considered more down with the ghetto and more involved and you don't see none of them blowin' up. Why they ain't blowin' up? Why you see 100 Blacks out and you see only Fat Joe? There ain't no Spanish kids out. Where the fuck are they? You know what people will say, "there ain't no dope Spanish kids." Come on man, I've met dope Spanish kids who are ridiculous. The underground has got like 4 or 5. How come muthafuckas cant get no love? 'Cause that's the way the game is built…Fuck everybody unless you're black. Eminem blew up cause he got signed by a Black guy that fuckin' co-signed him. I don't have nothin' against Black people, I have something against racism in Hip-Hop. I got a beef with fuckin' people judging you on your color and not on your skills. I mean shit your gonna tell me if me and Ill Bill weren't white, fuckin' we wouldn't have been blown up? Come on man, like were fuckin' below the level of the worst Black artist that has had a major deal that has been on TV? Come on man. We might not be Nas or Jay-Z, but come on man we ain't on the level of the B level Black rappers. My whole point is if you're White or Latino you have to be better then the A Level rapper. So I have to blow Eminem away for people to even write about me or for me to get any legitimacy, but does Chingy have to be better then Nas for him to be getting played everyday? Nah, its all connections, its all fucking money, its sellin' image and White people are considered corny. It's some fucked up shit and really trife in a way. It's almost like I shouldn't even be doing Hip-Hop.

ThaFormula.com - I hear you man...

Necro - But the whole game has always been on that bullshit and it's fucked up and it ain't right and if it ain't right it ain't gonna get respected and I don't really respect Hip-Hop right now. I respect the elders, I respect Large Professor, I respect Primo, I respect G. Rap, I respect Kane, I respect them people. Why you think Kane can't drop anything no more? Why you think Rakim can't? 'Cause them muthafuckas couldn't get what they should have got when they was doing it 'cause the game is wack. The game does not give love back to the people that fucking invented and showed love to it. The game shits on it. The game is built on people that wanna pimp it and what happens is our own fault because if you're an artist and you don't become a business man you're gonna let some business man fuck your shit up and pimp it. I really believe artists should become business men immediately. It's the only fucking way to keep Hip-Hop raw cause it wont be raw if its being done just for the corporate. Like there should be a network right now on cable where a Necro video can get played, where a Non-Phixion video can get played. Where everybody in the underground who isn't on a major could get their shit seen. It should just be natural. It should just be up there.

ThaFormula.com - Those days are gone man...

Necro - Yeah they are gone and that's why nobody can move units. Underground people whether its Louis Logic, or me, or Cage should be able to move 100,000 units easily and live, but there is no networks and not only that everybody hates on each other. Major labels they're all down with each other and it's like they run shit! People don't realize these kids are very stupid. I talk to kids all day and they are brain dead. They don't know because nobody is teachin' them. You would think now there would be Hip-Hop classes teaching people about shit. People would praise me and you would think the fact that I'm knowledgeable, that I'm indie, that I'm from Brooklyn, that I am of a different culture keepin' it real, you would think there would be more love like, "alright let's put him down, lets all unite to make it iller," but nah it's on some money shit. It's all about fucking money. That's why I'm trying to make myself a paid multimillionaire so I could just bribe people. "Oh you don't like my new shit, alright, whatever, how much?"

ThaFormula.com - Well I give you props for still makin' good hardcore Hip-Hop in what I consider one of the worst if not the worst Hip-Hop years I have ever seen…

Necro - Yeah, but you only believe that because you actually see what I'm doing. A lot of people don't think I'm doing good Hip-Hop and maybe that's the problem. Maybe we don't agree with what other people are considering good.

ThaFormula.com - One of the depressing things about doing interviews is artists that were dope back in the day but now in 2003 are just droppin' average to wack shit…

Necro - Well you got to think about it, they're not hungry anymore. You got to look at a cat like me bro, I've never blown up. I've never even been on a major where I moved 100,000 units. I'm fucking hungry! I'm as hungry as it gets. I'm like a fuckin' wolf runnin' through the jungle that hasn't been fed. I'm ready to rip people into pieces. I get on a mix CD, I want it to be fucking brutal. I want White kids like me to be respected for being real, not on that bullshit like a battler. I'm talkin' on the gutter shit. The kid's that are in projects. Then you have the MTV shit which I see there is no reason why any of us on the underground can't be in that world, because all that world really is is an avenue to get more humans into your shit. I don't think my shit only spans 50,000 humans. Hells No! I'm rappin' about brutal shit and you gonna tell me there ain't a million humans on earth that would like to hear something extremely hardcore that isn't censored? Hells yeah they want it, they just don't know about it. You have to be able to promote it to them and you know, I think the more rugged you would promote it to them the more I think these people would want it now. Come on, with all the fucked up shit in the world you think people don't want hardcore shit? The mentality of all these record people is so stupid. They're so willing not to take a risk. I always hear people want to escape so they would rather not hear that. They wanna hear Justin. Get the fuck outta here! I'm sure people would love to hear a Non-Phixion track. I'm sure there is at least one million kids all over the world that would cop it and be like "yo that shit is hot," that would believe that it isn't only about this one rapper or that one rapper. There is more then enough room. It ain't all about fucking Snoop. Snoop is dope, I like Snoop and 50 but I don't believe, and refuse to believe it's all about them. 'Cause if it's all about them, where the fuck does that leave me and you? Worshippers of them and that's it.

ThaFormula.com - That's what it's trying to become man…

Necro - How bout this, I'll worship you, 50 and Snoop but you fucking worship me too cause I'm incredible also. The whole thing is if I felt they blew me away I'd be like "alright cool fuck it, you'll destroy me." They don't destroy me and I'll never believe they destroy me on any level. I give them their respect. Snoop deserves to blow up but the way the game is you only see him. You only see a few people blowin' up. I think there is more room for everybody. But there is a lot of shit besides your actual rap and beats that goes into you blowin' up. It's the label, it's the money, it's the politics, it's who you know. All these kids in the underground especially young kids all they wanna do is freestyle. All day they IM me on my computer or I get beeped. It's like they don't understand man Hip-Hop is a business man. It's been business from the beginning even when Sugar Hill Gang came out and got up on the radio cause they claim that's the first rap record which most people know really isn't, but I mean the most popular and that was business. Somebody who was in business who pressed it up. It's always gonna be business man. Art has to be business for people to know about it. For a guy in Wisconsin to know about it, it has to be business cause he ain't from the Bronx. I'm not mad at that 'cause the artist has to make money. Muthafuckas gotta make money man, people got families. You got to make money off of Hip-Hop but there is a difference between making Hip-Hop just to make money and figuring out ways to make money off of the art once you've created the art. I'll come up with schemes and say, "how can I get this out?" As opposed to, "okay I wanna drop in this market and I'm gonna make this song so that market buys me and then I'll put it out, it just so happens that I'm doing the shit I love, Hip-Hop. So just 'cause I'm doing Hip-Hop I'm cool?" Nah man, you're not doing Hip-Hop from the heart really. What you're doing is you're making a product to sell that just happens to be Hip-Hop so it's more of a job to you. See for me I'll make the Hip-Hop I love, now let's do the job after. I feel there is a difference. If you make the art not thinking about money and make it from your heart it's gonna come out different then if you're making art just for the money. I do agree that once the art is made and once you have that album recorded now you have to figure out how to make money from it and get it out. 'Cause first of all you're gonna need money to promote it. I can't just put an album out for free, I gotta live.

ThaFormula.com - How did the Gory Days DVD do?

Necro - It did pretty good. I moved like 7,000 copies of it. It's what it is. But I haven't had much money to promote. I got to pay bills year 'round. I gotta promote and keep shit runnin'. I'm getting' there but it takes time.

ThaFormula.com - Have things steadily gotten better?

Necro - It's all a money thing. I started out with zero money then I made a thousand, then I turned a thousand into 5 thousand, then I turned 5 into 10, then I turned ten into a hundred thousand by like January and now I'm movin' up now and by fucking September I'm gonna start hittin' the 2 or 300,000 ranges. Then pretty soon hit up to 500,000. Pretty soon I'm gonna make a million independently then I'm gonna pump that into more shit and I'm gonna keep it flowin' and that's why I say eventually I'm gonna be sittin' on ten million. When I'm sittin' on 10 million its gonna be me. See that's the whole thing, I know me, I know the way I am I don't give a fuck. I ain't trying to lick nobody's ass. If I put ten million into my shit that means you're gonna see 200 ads on MTV2 the way I fuckin' want it which is gonna brainwash kids into copping the real shit. That's what needs to be done. That's really what needs to be done. That's my dream. It's always been to be able to do Hip-Hop the way I wanna do it and have it out there.

ThaFormula.com - Who are some people your feelin' right now man?

Necro - I think Cormega is dope. I think Mega's potential incredible 'cause he's impressed me on records where I can say I like Mega. I love "The Realness," he really came off on that. I like certain Killarmy shit. It's some people I like here and there. You know I'm feelin Q Uniques' new shit. The shit he did on my mix CD was hot. I just gave 6 beats to him for Uncle Howie Records, my brother's label, he's gonna drop a solo. You know he's comin' up now, he's getting iller.

ThaFormula.com - You know I thought that the Non-Phixion LP was really gonna start getting' people more open to you're production and artists were gonna start reachin' out to you?

Necro - Nah, cause people are haters. I don't know what it is man, it's like I don't really pursue people. What you're trying to say is you're assuming people are gonna try and pursue me, see ain't nobody going out of their way to get at me so I'm not going out of my way to tell people, "hey I'm available." But I'm not interested in fuckin' puttin' beat tapes out to everybody 'cause I've been played too much. I submitted beats to a lot of dope people, they never fuckin' got used and I don't care no more. I'm not worried about them. I don't wanna have my beat on blah, blah, blah's album. What I wanna do is I wanna build my shit. I want to have my beat on my album with me rippin' it. I want people to like Necro. I think Necro is as good as whoever. The fact is I got my own fans who like me and I know that I like me.

ThaFormula.com - So what made you do the "Street Villains Vol. 1" mixtape and what should we expect from this mixtape?

Necro - Really 50 Cent influenced me with the mixtape shit. I was thinkin' of some shit and I was like reading interviews and noticing people you know doing the mixtape and you know 50 was just basically talkin' about how it's the best promotion and I kind really slept on mixtapes 'cause people never really hollered at me. I never really realized that sometimes you got to holla at other people. Even though I've always holla'd at other people, I don't know that I have to holla at people for everything. It never dawned on me that you actually have to lick and kiss the fucking mix tape DJ's ass for him to get you on shit sometimes. They're not necessarily runnin' after you. Some people they are runnin' after but then sometimes you got to go up to them like, "yo son can you put me on your shit?" 'Cause they might not believe in you and be on some other shit. What happened also is Bob Perry from Landspeed was tellin' me, "you know Necro you gotta give albums to people so you can move one album and if you wanna make money on a product don't be stingy." I was always stingy with product cause I thought in my head I can't just give people shit, I need to make money from it. What you kind of have to do now is kind of give people a whole CD just to have them buy your next CD cause people expect, they want and when Camron's doing it, and 50's doin' it and Nas is doin' it, I'm not gonna be respected on the level if I don't do it.

ThaFormula.com - Right...

Necro - So I was like you know something, this makes sense and whatever I would do anyway would be different from them. They got they're own style and I got my style. I never did a street mix CD so actually before I even made my own I was like, "I'm gonna make my own, I'm gonna holla at a bunch of DJ's." I holla'd DJ Vlad, I emailed Tony Touch, I emailed uh DJ Lazy K. I tried to get at fuckin' Kay Slay. I didn't get no responses back except from DJ Vlad but it didn't seem like I was gonna be able to get much love from trying to get on mix CD's. Why, another reason, you have to grease people with money and you don't really see White kids on these tapes unless you're connected. For the most part its usually these Black underground Hip-Hop rappers who are in the streets in some certain circle that I'm just not involved in. I just ain't from Bed Stuy. So I just might not be there where Clark Kent hangs out. It ain't my hood. So I had been listening. Anyway I got my boy this Puerto Rican kid, real cool up on all the underground Hip-Hop and same mentality as me, and you know he works for me and on the side he sells crack so he's always out in the street area and always getting' the bootleg mix CD's for 5 dollars, so even before I made this mixtape I was peepin' through him what these people were doin' and they were kind of no different then my "Rare Demo's and Freestyles Vol. 1 & 2." But they're kind of more brand new where like my Rare Demos is a freestyle I might of did in like '99. So I said since people are frontin' let me do my own shit. I went in the studio and in 9 days me and Bill banged out the "Street Villains." I've never in 9 days mixed and fucking recorded a CD. So I was very excited. I thought the shit is hot. I thought the track with the Rza beat that I set it off was hot, the shit over the Nore shit was hot. The shit on the Dre beat, "Bury You with Satan" was hot. I thought the shit over the "Forgot About Dre" was hot. Me on the 50 Cent beat with Bill was hot. I was like "yo this shit is just HOT!" I had Uncle Howie and Kid Joe just talkin' garbage over it the same way DJ Clue does it.

ThaFormula.com - How did you decide on using your Uncle Howie on the mixtape?

Necro - I just did it cause he was around. I told him you and Kid Joe are gonna be like my DJ Clue's. You gonna be screamin' out "Brutality Part 1!" and what happened also is I was gonna be droppin' "Brutality Part 1" so I said you know somethin' why make people wait for a new album and imagine right now if nobody had heard my "Street Villains" mix CD? Fans would have had nothin' for the last 2 months waiting for the this new album which drops September 16th. The whole summer they would have had nothin'. What happened was my fans got very happy when I dropped the mix CD because now they got all these verses all over these beats, they're bumpin' them, it took me 9 days to do it, not that much money, I gave the fans what they wanted and it was a lot easier and it's some mixtape shit. It looked gutter, I made it look like some real cheap street shit and it puts me in the realm of where Camron is and all these big dudes who won't put me on those mix CD's. So now I got my own shit and it just showed me that really I could just do everything myself. I'm just gonna make my shit all gutter. Everything is gonna be all new freestyles and its just all freestyles one after the other brand new, whoever is ready to rock. Necro, Ill Bill, Sabac, Q Unique was down. Whoever is ready to do shit they come in the fuckin' studio and do it, you'll be on it, it drops into the streets. We don't spend a long time makin it. The fans have it and they were open. My fanbase was happy as hell. I love it. I'm willing to smash anybody in their face who would diss me in person. I don't care who they are. That's how dope I feel it is. I feel if you don't like it cool, but if your gonna say the shit isn't equivalent to the shit that's out right now, your blatingly hatin' and your blatingly lying. I believe in my shit and I believe I'ma blow up. The biggest problem is if you don't believe in yourself. If you believe in your shit then you're good because other people are gonna see you're vision.

ThaFormula.com - What I was impressed by was how good "Street Villains Vol. 1" was mixed down. For a mix CD the sound quality is incredible…

Necro - We mixed it good too, I can agree on that. I'm very happy with it, I'm just surprised bro that I'm not getting any love. I don't understand, I don't get it. I email people many times. I send shit to them and emailed them many times like what's up? They're not giving me love. They are just sleepin'.

ThaFormula.com - It's not that they are sleepin, I honestly feel that people nowadays just don't get it anymore. I really think that they are hearin' it and they really don't like it 'cause they are not used to hardcore beats anymore...

Necro - It's like my new video I just premiered "White Slavery." A lot of people aren't getting it. My fan base like it, but a lot of other people don't get it. What I came to the see is that they are seeing something that is kind of bizarre. You're watching me with a bondage mask, I got a naked bitch that I'm eating dinner on her back, I'm rappin' about "White Slavery." The fact is for a lot of people it's kind of over their head in a way. The fact is it's very brutal. They don't know what White Slavery means. People are hearin' the words "White Slavery" right and thinkin' I'm talkin' about like reverse Black slavery. They don't get that White slavery means enforced prostitution. I don't think they are getting' that what I am doing is I just hit you some visuals to pretty much the biggest racket in Europe right now. 700,000 women are kidnapped from the street. Like I'm rappin' on some real shit that's never been touched in music before. I'm trying to give people some new shit as opposed to just giving people the same 'ol shit. I'm tying to hit you with some new shit, but its very brutal.

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